In some ways, it’s the shortest of distances from [Ethel Voynich] to [Ethel Merman], so why not “Voynich, The Musical“? Close your eyes, imagine a Broadway stage, take out a mortgage to get yourself a semi-affordable seat, spill a drink on your leg, and you’re as good as there…
VOYNICH – THE MUSICAL!
Act One, Scene One
It’s 1912. A single spotlight illuminates an old trunk in the middle of an otherwise empty wooden stage: there’s dust in the air. We hear slow, sustained violins off-stage, harbingers of the big discovery that is about to happen.
WILFRID appears stage right. He is well dressed (though a little tweedy for our modern tastes), and wears small round glasses. He looks in the prime of his life – there’s a vigour and physical excitement to him. He approaches the trunk, opens it, takes out an old book and peers inside it. As his eyes grow ever wider, the violins swell, and he sings his first number “Friends To The End”.
This never happened – I wasn’t here.
There was never a trunk (that was junk), isn’t this queer?
I conjured a castle, to hide Jesuit lies…
While the customer’s king, I’ll say anything (however unwise).
[Chorus] But you, you were always real
Even if you made me feel
Like an antiquarian schlemiel –
I couldn’t comprehend.
But I knew, I knew when I met
My ugly duckling Juliet
With your strange alphabet
We’d be friends to the end…
Friends to the end.
Act One, Scene Two
Back in London, WILFRID hesitantly shows his newly-acquired manuscript to his wife ETHEL: he thinks it’s going to make them rich. However, ETHEL cannot believe that he has wasted money on something as unbelievably stupid as a book that nobody can read. To make her feelings on the matter completely clear, she sings her angry opening number “Down the drain”.
Little naked women
Standing round or swimming
What is this you’re bringing
To our house?
You can’t read a word of it
Written by a heretic
I can’t see the benefit
To man or mouse
[Chorus] You put good money / Down the drain
Buying enciphered / Castles in Spain
Were those nymphs fogging / Your revolutionary brain?
Or has their writing sent you / Completely insane?
Act One, Scene Three
WILFRID has moved to New York, and is trying (unsuccessfully) to convince wealthy American collectors to buy his unreadable manuscript. Though his sales patter normally charms the birds down off the trees, he’s finding it difficult to find anyone with any affinity for this unusual artefact. His song “It’s No Use” documents his ongoing struggle.
There’s jazz and money in the air
The excitement of a New World at play
New rules, new wealth, new clothes, new hair
America strides into a brand new day
You, sir, with your spats and suits
Your garden parties and Egyptiana
Might I interest you in this book’s strange roots
And its hard-to-pin-down flora and fauna?
[Chorus] It’s no use
My duckling’s no swan
I’ve cooked my goose
My big chance has gone
I’ll find no willing
Who’ll pay more than a shilling
They’re too mercantile
Act One, Scene Four
It’s 1930 in New York. WILFRID is dying, having never been able to sell his “Roger Bacon” manuscript. ETHEL brings his beloved manuscript to him, so that he can see it one last time. WILFRID sings a song to both of them: “It’s Time To Say Goodbye”.
Perhaps I was wrong / To hope for the best
To follow every wastrel clue / Like a man possessed
Why can’t anybody else / See what I see?
Are they put off by mere / Indecipherability?
[Chorus] It’s time to say goodbye
To the woman I have loved
And greet the naked angels
I’ve seen them for years
Sitting on my shelves
Filling every page of
Quires eleven and twelve