Here’s what I think the Voynich Wikipedia page ought to look like. Enjoy! 🙂

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History of a Mystery

Once upon a time (in 1912) in a crumbling Jesuit college near Rome, an antiquarian bookseller called Wilfrid Voynich bought a mysterious enciphered handwritten book. Despite its length (240 pages) it was an ugly, badly-painted little thing, for sure: but its strange text and drawings caught his imagination — and that was that.

Having quickly convinced himself that it could only have been written by one particular smart-arse medieval monk by the name of Roger Bacon, Voynich then spent the rest of his life trying to persuade gullible and/or overspeculative academics to ‘prove’ that his hunch was right. All of which amounted to a waste of twenty years, because it hadn’t even slightly been written by Bacon. D’oh!

Oh, so you’d like to see some pictures of his ‘Voynich Manuscript’, would you? Well… go ahead, knock yourself out. First up, here’s some of its ‘Voynichese’ script, which people only tend to recognize if they had stopped taking their meds a few days previously:

A nice clear example of Voynichese

Secondly, here’s one of the Voynich Manuscript’s many herbal drawings, almost all of which resemble mad scientist random hybrids of bits of other plants:-

Finally, here’s a close-up of one of its bizarre naked ladies (researchers call them ‘nymphs’, obviously trying not to mix business and pleasure), in this case apparently connected up to some odd-looking plumbing / tubing. Yup, the right word is indeed ‘bizarre’:

voynich f77v central nymph Q13 and Voynich balneology sources...?

Did any of that help at all? No, probably not. So perhaps you can explain it now? No, I didn’t think so. Don’t worry, none of us can either. *sigh*

Back to the History Bit

Anyhow, tucked inside the manuscript was a letter dated 1665 from Johannes Marcus Marci in Prague, and addressed to the well-known delusional Jesuit polymath Athanasius Kircher. Marci’s letter said that he was giving the manuscript to Kircher both because of their friendship and because of Kircher’s reputation for being able to break any cipher. The manuscript seems then to have entered the Jesuit archives, which is presumably why the Jesuit college near Rome had it to sell to Wilfrid Voynich several centuries later, just as in all the best mystery novels.

But hold on a minute… might Wilfrid Voynich have forged his manuscript? Actually, a few years back researchers diligently dug up several other 17th century letters to Kircher almost certainly referring to the same thing, all of which makes the Voynich Manuscript at least 200 years older than Wilfrid Voynich. So no, he couldn’t have forged it, not without using Doc Brown’s flux capacitor. (Or possibly the time machine depicted in Quire 13. Unless that’s impossible.)

Incidentally, one of those other letters was from an obscure Prague alchemist called Georg Baresch, who seems to have wasted twenty or so years of his life pondering this curious object before giving it to Marci. So it would seem that twenty lost years is the de facto standard duration for Voynich research. Depressing, eh?

So, Where Did Baresch Get It From?

Well… Marci had heard it said that the Holy Roman Emperor Rudolf II had bought the manuscript for the ultra-tidy sum of 600 gold ducats, probably enough to buy a small castle. Similarly, Wilfrid Voynich discovered an erased signature for Sinapius (i.e. Jacobus Horcicky de Tepenecz, Rudolf II’s Imperial Distiller) on its front page. You can usefully assemble all these boring fragments of half-knowledge into a hugely unconvincing chain of ownership going all the way back to 1600-1610 or so, that would look something not entirely unlike this:-

Which is a bit of a shame, because in 2009 the Voynich Manuscript’s vellum was radiocarbon dated to 1404-1438 with 95% confidence. Hence it still has a gap of roughly 150 years on its reconstructed CV that we can’t account for at all – you know, the kind of hole that leads to those awkward pauses at job interviews, right before they shake your hand and say “We’ll let you know…

Hence, The Real Question Is…

Fast-forward to 2012, and Wilfrid Voynich’s manuscript has ended up in New Haven at Yale University’s Beinecke Rare Book and Manuscript Library. Yet many Voynichologists seemed to have learnt little from all that has gone before, in that – just as with Wilfrid himself – they continue to waste decades of their life trying to prove that it is an [insert-theory-here] written by [insert-historical-figure-here].

If repeatedly pressed, such theorists tend to claim that:
* the ‘quest’ is everything;
* it is better to travel than to arrive; and even
* cracking the Voynich might somehow spoil its perfect inscrutability.
All of which, of course, makes no real sense to anyone but a Zen Master: but if their earnest wish is to remain armchair mountaineers with slippers for crampons, then so be it.

Yet ultimately, if you strip back the inevitable vanity and posturing, the only genuine question most people have at this point is:

How can I crack the Voynich Manuscript and become an eternal intellectual hero?

The answer is: unless you’re demonstrably a polymathic Intellectual History Renaissance Man or Woman with high-tensile steel cable for nerves, a supercomputer cluster the size of Peru for a brain, and who just happens to have read every book ever written on medieval/Renaissance history and examined every scratchy document in every archive, your chances are basically nil. Zero. Nada. Zilch. Honestly, it’s a blatant exaggeration but near enough to the truth true: so please try to get over it, OK?

Look, people have been analyzing the Voynich with computers since World War Two and still can’t reliably interpret a single letter – not a vowel, consonant, digit, punctuation mark, nothing. [A possible hyphen is about as good as it gets, honestly.] Nobody’s even sure if the spaces between words are genuinely spaces, if Voynichese ‘words’ are indeed actual words. *sigh*

Cryptologically, we can’t even properly tell what kind of an enciphering system was used – and if you can’t get that far, it should be no great surprise that applying massive computing power will yield no significant benefit. Basically, you can’t force your way into a castle with a battering ram if you don’t even know where its walls are. For the global community of clever-clogs codebreakers, can you even conceive of how embarrassing a failure this is, hmmm?

So, How Do We Crack It, Then?

If we do end up breaking the Voynich’s cipher, it looks unlikely that it will have been thanks to the superhuman efforts of a single Champollion-like person. Rather, it will most likely have come about from a succession of small things that get uncovered that all somehow cumulatively add up into some much bigger things. You could try to crack it yourself but… really, is there much sense in trying to climb Everest if everyone in the army of mountaineers that went before you has failed to work out even where base camp should go? It’s not hugely clear that even half of them even were looking at the right mountain.

All the same, there are dozens of open questions ranging across a wide set of fields (e.g. codicology, palaeography, statistical analysis, cryptanalysis, etc), each of which might help to move our collective understanding of the Voynich Manuscript forward if we could only answer them. For example…
* Can we find a handwriting match for the marginalia? [More details here & here]
* Can we find a reliable way of reading the wonky marginalia (particularly on f116v, the endmost page)? [More details here]
* Can we find another document using the same unusual quire numbering scheme (‘abbreviated longhand Roman ordinals’)? [More details here].
* Precisely how do state machine models of the Voynich’s two ‘Currier language’s differ? Moreover, why do they differ? [More details here]
* etc

The basic idea here is that if you can’t do big at all, do us all a favour and try to do small well instead. But nobody’s listening: and so it all goes on, year after year. What a waste of time. 🙁

A Warning From History

Finally: I completely understand that you’re a busy person with lots on your mind, so the chances are you’ll forget almost all of the above within a matter of minutes. Possibly even seconds. And that’s OK. But if you can only spare sufficient mental capacity to remember a seven-word soundbite from this whole dismal summary, perhaps they ought to be:

Underestimate the Voynich Manuscript at your peril!

Now ain’t that the truth!?

Ethel Voynich’s story (1864 – 1960) is quite fascinating: while the young Ethel (‘Lily’) Boole was studying music in Berlin, she became inspired by Stepniak’s revolutionary writings. As a result, she became closely involved with Russian dissidents living in London, and in 1893 married the very charming Wilfrid Voynich. Voynich himself often travelled around as part of the League of Book Carriers, smuggling revolutionary books into Tsarist Russia (because of course Marx, Lenin, etc were all in London at the time), and doubtless Ethel did much the same for the cause.

Music and revolutionary fervour aside, Ethel’s third major passion was writing: somewhat amazingly, her novel “The Gadfly” (“Ovod“) ended up selling 2,500,000 copies in Russia without her really knowing of its success (it was even filmed twice, in 1928 and 1955). Oddly, it had long been believed in Russia that she was dead: so when it was discovered that she was alive and living in New York, some star-struck artists from the Bolshoi (Susanna Zvyagina and Yaraslav Sekh) called by her apartment in 1959 to give her flowers etc.

Splendidly, some British Pathe film footage was taken of this meeting, which has now been placed online: though less than a minute’s worth, here it is in all its silent glory. (Incidentally, if you pause the film about 25 seconds in, I suspect that the woman on the right may well be Anne Nill.) Enjoy!

Ethel Lilian Voynich is 95!

Do I have a problem with the fact that the Internet appears to have a machine continuously cranking out second-rate stories about the Voynich Manuscript? No, not really – an “unreadable historical manuscript” presses many of the cultural buttons left exposed by large numbers of mainstream Netizens.

What does annoy me, however, is that virtually every VMs account ever written fails to come close to grasping the complex (and actually very interesting, I suspect) nature and character of poor old Wilfrid Michael Voynich (WMV) himself. It’s rather like reading a five-line wartime biography of Winston Churchill and expecting that to suffice for everything else he ever did: but what about the rest of Voynich’s life?

In many ways, you have to understand that WMV is doubly occulted: on one side, he’s forever in the shadow of his accursed manuscript, while on the other side, he’s in the shadow of his blessèd wife Ethel. Though he could charm the birds down from the trees (and, more importantly for him, the books down off unwilling shelves) in eighteen-ish languages, he didn’t leave a substantial written record for biographers to work with. Ultimately, do we really know much of importance about Voynich? I think the honest answer would be ‘no’.

For example, I don’t think we have a clue about his sexual orientation: family lore has it that Ethel was attracted more to women than to men, and (allegedly) lived with Anne Nill in New York as a couple for decades, yet WMV and ELV were also notably a devoted couple prior to WMV’s death. Did they initially marry for love, for revolutionary support, for reasons of practicality, or for some other reason? Is it just me, or do you also hate it when you know that the 10% you know about a subject is actually the least important 10%?

All of which musings were prompted by a nice email from historical researcher & writer Jackie Speel, who asked if I knew that Wilfrid Voynich’s naturalization papers were in the National Archive. (“HO 144/751/117022”, to be precise). Ummm: no, I didn’t – but thanks very much for pointing this out! 🙂

It’s a good find – but I suspect that the real archival pay dirt would be WMV’s Special Branch file. Circa 1900, there was a lot of terrorist paranoia (sounds familiar?): the Special Irish Branch had only recently morphed into Special Branch, and was now tracking Russian revolutionaries and dissidents in London as well as Irish republicans. Andrew Cook’s (2002) Ace of Spies has a nice bit of useful stuff on this period (particularly Chapter Two “The Man From Nowhere”) and on Ethel Voynich (mainly in Appendix One), if you haven’t already seen this. So, Wilfrid Voynich almost certainly had a Special Branch file on him and his links with Stepniak etc: but what did it say? Perhaps there’s a similar secret file on him in New York archives? I wish someone was looking for this stuff, I really do.

Basically, I think that the recent vellum dating (to the early 15th century) should end any lingering romantic or postmodern notion that WMV forged his (now eponymous) manuscript: honestly, isn’t it a good enough Early Modern mystery as it is without any additional confounding nonsense to muddy the waters? Oh well!

Why, lookie here. An eBay trader is selling a $999 crystal ball allegedly from a boarded-up Voodoo family estate. It says here that the ball was manufactured according to the “alchemic recipe” given in “Apocalypsis spiritus secreti” (by the Venetian Giovanni Battista Agnelli, a book best known from its 1623 printed edition, but John Dee owned a copy too).

And if that alone is not enough to get you wrench open your chequebook against your will, you’ll be signing cheques in your own blood by the time you’ve read the next bit, just in time for Christmas delivery (of course):-

They name Wilfrid Michael Voynich along with his London & New York book shops as being the source of & a number of text & artifacts [in this estate] which their financial records corroborate. They name him as being “met and turned” in Italy in 1898 & apparently had dealings with him until his death in 1931, and with his wife until the time of her demise 1960, whom by the way, they claim “was known to us prior to their marriage”. The timeline makes this LiDiex no more than eleven years old at the time of his “turning”. They name Voynich as their intermediary with the Jesuits of Villa Mondragone in 1912. Their journal entries concerning the “Black Robes” as they refer to the Jesuits & their acquisition of “ancient devices and texts” span decades & a number of articles from this estate have such attributes.

The “LiDiex” is some kind of multi-generational voodoo craftsman, in case you’re wondering. Continuing…

They claim this sphere is, “one of the fifty three made for our Mistress’ use by alchemic recipe contained in the text”, pertaining to their copy of a 16th. century text titled, the Apocalypsis spiritus secreti, by Giovanni Baptista Agnelli, obtained by the Jesuits that allegedly belonged to a John Dee in the 16th. century & obtained by them in 1912. Here again we urge you to research the names mentioned here.

The 1888 LiDiex “under guise” is alleged to have accompanied Voynich to Villa Mondragone in 1912 where he gained access to items in the Jesuit’s possession. Some were purchased, but others were stolen, such as two crystal spheres that had once been the possessions of John Dee which they burgled, replacing them with glass.

John Dee, Wilfrid Voynich, Villa Mondragone, Jesuits, alchemy, Agnelli, LiDiex, crystal balls? Fabulous, amazing, incredible… nonsense, I suspect. Caveat lector, never mind caveat emptor. But make up your own mind!

I know, I did indeed say that I wasn’t going to post anything for a while… but then this wonderful translation (from the Russian) of Evgeniya Taratuta’s (1957) “Our Friend Ethel Lilian Boole” popped up, made by Séamus Ó Coigligh (who retired as Curator of Cork Public Museum as long ago as 1981). Uhhh… whatever keep-going-forever potion he’s using, I think I’d like the recipe…

Taratuta’s article (which I first read about in Andrew Cook’s “Ace of Spies: The True Story of Sidney Reilly”) beams a whole medley of archival lights onto ELV’s and WMV’s early lives, particularly on the adumbral period before 1900. There is also a mention of a short 16mm film clip that ELV sent to Taratuta – wouldn’t that be a wonderful thing to put on YouTube? Just a thought… 🙂

Here’s a quick research note: a list of Wilfrid Voynich’s archives…

There may well be more, but that should be enough to keep any researcher going for a bit… 🙂