[Here are links to chapters 1, 2, 3, 4, and 5. Enjoy!]

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Chapter 2 – “Game On”

Vivid dreams of a towering manuscript library on fire: the Renaissance inks and paints boil, become gas and swirl upwards into an angry elemental wind, textual spirits entombed for centuries but now set free to roam the atmosphere, their haunting transmuted into a gigantic elemental pall above New Haven, a Jovian minium spot written upon the Earth’s skies, a full stop in the book of the sky for many-parsec-distant alien telescopes to read…

“Hey, Mr Graydon Harvitz! I nearly didn’t recognize you!”

He started from his mid-day café reverie, nearly knocking his second half-cold latte over onto the sprawl of Voynich Manuscript scans as he half-rose, no less surprised by the sensation of his newly-shaven chin on his fingertips than by Emm’s voice.

“Yeah, well, what with my committee appearance coming up, it was time I cleaned up my act. A bit, anyway.”

Emm reached over to his shoulder, her long fingers swiftly transcribing the diagonal weft and weave of his grandfather’s ancient twill jacket, one of the few things Graydon had inherited. She paused for a second longer than he expected, reading the material’s texture as if it were a familiar book, her eyes briefly absent from the room. “Ah”, she said, “you like antiques as well”.

“When history surrounds you, you can’t really avoid it”, he replied grimly. But the truth was, he wore it in a superstitious half-hope that his grandfather’s whisky-soaked ghost might lend a hand on those occasions when he particularly lacked cryptographic inspiration. Which had been… most of the time this last few months. “Hungry?”

“As a horse – any protein-rich House Specials on today?”

“Naah”, he replied, “it’s all carbohydrates à la mode. But their Club Sandwich is pretty good.”

“Good call!”, she smiled, “I’ll be the hunter-gatherer, back in a minute…”

Graydon watched with no little curiosity as she lightly sashayed across to the counter, attracting both jealous and covetous eyeballs from the other customers as she went. Yet… even though Graydon had survived his epic (and admittedly much-delayed) battle with the razor this morning, he still felt like nothing whereas Emm really was something: where was the balance in the equation? What was in it for her? And moreover…

“What exactly does a cleaner do?” he asked as she carefully squeezed a fresh latte and her cappucino into two of the polygonal gaps between the printouts on the table.

“Well… we clean things – old things. Such as your favourite manuscript. The Beinecke’s curators have put off fixing it up for years, but let’s face it, the Voynich does need a bit of TLC, right?”

“I guess so”, he said. “I must admit my heart’s in my mouth every time I have to unfold the rosettes page. On balance, I’d prefer my tombstone not to say ‘the idiot who trashed the VMs‘.”

“Just so you know, sorting it all out is my next job, once ze feelm crew ‘az returned to La Belle France. Their director has already annoyed Mrs Kurtz, so I don’t think they’ll be here long.” She snatched a brief sip of her coffee, looking sideways through the café’s glass front. “Technically, I should just be able to get on with it, but… I’m going to need your help.”

Graydon exhaled relief as a smile rolled across his face. “And there I was thinking it was my eyes you were lusting after.”

“No, it’s your mind, you fool. Ordinary manuscripts are easy to tidy up because everything has its place. But in the case of the Voynich, I’d prefer my tombstone not to say ‘the idiot who wiped the code off the VMs‘. Without knowing what might be hidden where, being a cleaner isn’t such an easy gig.”

“Ordinarily”, he said, leaning forward conspiratorially, “I’d be a sucker for a beautiful woman so blatantly calling me to adventure, but… I also have the not-entirely-small issue of a ticking clock and a funding gun pointed at my head. And it’ll probably be no big surprise to you that my work on the manuscript is not quite as advanced as had been hoped.”

“So… is that a yes or a no?”

“Actually, as with everything else with the Voynich, it’s an ‘I-don’t-yet-know‘. I need to figure out in my mind whether hanging out with a supermodel doing cool codicology is worth risking my PhD for.”

“OK, no problem”, Emm said, quickly resting her forehead forwards onto her hand. Despite the amused self-deprecating smile on her face, Graydon could not help but notice a wave of stress flash through her eyes. “Maybe it’s not an either-or thing. Anyway, I’m just dying to ask you – what is that bulge in your pocket?”

“Jeez”, Graydon gagged,”what finishing school did you go to?”

“No”, she sighed, “not your pants, your jacket. If – as I’m pretty sure – it’s pre-1950, it really shouldn’t have a purely decorative pocket on the front. So… what’s it for?”

Graydon looked down at it as an oddly restrained silence fell over him: even though he’d worn his grandfather’s jacket countless times, he realised that he’d never properly looked at it before.

“Come on, then, pass it over”, she hustled, getting out a pair of white cotton gloves, a small ruler and a tiny flashlight from her Biba chainmail clutch bag. “I’ll have a closer look. Do you have a cameraphone?”

“Errr… yes I do”, he said, taking his Nokia out of the jacket as he passed it over the table to Emm, her eyes alive with the detail. “Though, I haven’t actually used it yet.”

“Here’s your chance to learn. You’ll need to photograph this seam here before and after I cut the thread, so I can restore it later.” Shining her light on the top seam with the ruler placed alongside it, she waited impatiently while Graydon haltingly navigated through the phone’s Byzantine user interface all the way to its camera submenu. At the clatter of the fake shutter sound effect, she lurched into action, selecting a microscopic pair of scissors from a diamante-studded Swiss army knife. One deft snip later, she was tweezing out the single long thread that had fastened the top edge in place for God-knows how many decades.

“Keep photographing, Gray… yup, we’ve got a hot one for you, Penny…”

The waiter arrived with their Club sandwiches, but Graydon slid them to one side of the table: for all their previous hunger, suddenly neither had any appetite for food at all.

At first, all they could see was a sliver of a pale brown edge: but this grew one tiny fraction at a time until Emm had finally pulled out a small scrap of aged parchment, covered in fingerprints and dirt. At its top was an inventory reference written in a mid-Victorian European copperplate hand – but in the centre there was an 8×8 table of unusual letters.

Up until now, these curious letter-forms had – for all their study – been unique to a single historical document.

But not now.

Unmistakeably – incredibly – the grid contained letters from the Voynich Manuscript.

“Game on!”, moaned Graydon, shaking his head in disbelief. “Game on!”

“Wow”, gasped Emm, her mouth dry with the tension, “even I didn’t really think codicology could beat sex.”

“But… maybe it’s not an either-or thing?”

Many historians and palaeographers have concluded that the interleaved ‘+’ signs added to the Voynich Manuscript’s back page indicate that the containing text is some kind of spell, incantation, chant, charm, curse, pious utterance, etc. Well, it’s completely true that ‘+’ was used in all of the preceding forms to indicate that the (non-silent) reader should physically trace out the sign of the cross at the same time, so this would seem a perfectly reasonable suggestion (if perhaps a little non-specific).

Here I’m particularly interested in the (apparently heavily emended) third line of text on f116v, where I have strongly enhanced the image to make the tangled textual mess I think this has ended up in clear. Note that (as I have discussed several times elsewhere, e.g.here) this line of text seems to end “ahia maria“, which I think pretty much confirms that the ‘+’ shapes are indeed crosses.

So, do we have any idea what the first part of the line originally said? It is certainly striking that all four words at the start of the line seem to end with the letter ‘x’, which gives the overall impression of some kind of magical chant. But what might that chant be?

This is where I wheel in Benedek Lang’s fascinating “Unlocked Books” (2008), which focuses on medieval magical manuscripts from Central Europe (and which you’ll be unsurprised to hear that I’m currently reading). As part of his discussion (p.65) of the Seven Sleepers of Ephesus (Maximianus, Martinianus, Malchus, Constantinus, Dionisius, Serapion & Johannes, since you’re asking) who were walled up for two hundred years but magically awoke during the reigh of Theodosius, Lang mentions a 14th century Czech amulet with the seven sleepers’ names as well as the text “pax + nax vax“, all used as a healing magic charm against fever.

Incidentally, I should note that “hax pax max adimax” is another piece of nonsense Latin that (for example) appears in Victor Hugo’s “The Hunchback of Notre Dame”, and which some wobbly etymological sources give as the possible origin of the phrase “hocus pocus” (though I have to say I’d probably tend more towards the idea that it’s a corruption of [the genuine Latin] “hoc est corpus). But regardless, I don’t think “hax pax max” is what we’re looking at here.

pax nax vax“, then, is basically the right kind of phrase, with the right kind of structure, from the right kind of period. I’m not saying it’s definitely 100% right (history is rarely that simple): but even if it’s wrong, it may well turn out to be a very revealing attempt at an answer.

All in all, I’m really rather intrigued by the possibility that this line originally read (or read something remarkably close to) “six + pax + nax + vax + ahia + mar+ia +“: it’s just a shame that the Beinecke Rare Books and Manuscript Library doesn’t have finer wavelength (i.e. multispectral) scans of this contentious feature so that we could test this kind of hypothesis out. One day, though…

“Can you stop being so goddamn Voynich?” Dan shouted down the phone at her continued silence. “I’m sick of reading between your lines, playing guess-what-Marie-means like our whole off-line life is some afternoon quiz show. Since our shared New Haven hajj, you’ve been no fun – zero fun – and all I’m getting from you are stupid little clues that even the Cipher Mysteries guy wouldn’t be able to spin into a story. So… what’s the goddamn deal, Em?

Across the Skypey quiet, he could hear her breathing tighten, hear her holding her head in her head, even hear her throat quiver with the tension. And then: “Jeez, Danski,” she lurched, “I feel like… like… that whole Quire 13 thing.”

“What, floating in a pool that can’t decide whether it’s green or blue?”

“No, damnit, like… like I’ve been turned inside out and… had a second creation phase added… similar but distinctly different from the first phase.”

“Christ”, Dan choked, “that makes me…”

“Yes, second phase co-author. And the scans say… it’s going to be a girl. Our girl!”

I can’t claim to read your busy modern brain: but there’s certainly a moderate chance that you just happen to dig both FBI profiler police procedural drama “Criminal Minds” and the Voynich Manuscript. If so, you may well be pleased to know that madlori (just don’t call her ‘lady’, ok?) has just posted part 1 (of 4) of her Voynich-themed “Criminal Minds” fanfiction, entitled “The Mysterious Manuscript”, focusing mainly on FBI BAU Supervisory Special Agent Emily Prentiss and her Voynich nerd husband Reid.

Now, according to the last round robin I got from the Bloggers Union, this is the point where I’m supposed to go all snarky about fanfiction, and moan about how Kirk and Spock wouldn’t really have kissed, particularly with tongues (ergo all fanfiction is pants) etc. But actually, it turns out that dear Lori isn’t half as mad as she’d like to think she is (bless ‘er), and she’s done a pretty good job overall (so hopefully parts 2-4 will be better still). Of course, her plexiglass case around the VMs is just hokum, New Haven isn’t half as miserable as she makes it sound, and the Beinecke curators weren’t anything like as sniffy when I went on my own three-day VMs hajj: but maybe things have changed since I was there. 🙂 Still, I’d forgive her plenty for casually slipping verklempt into the text: already I feel bad about kvetching. So shoot me!

So there I was in my first awesome week working at the B: my room mate Lynina kept saying that I was so ‘Legally Blonde’, and I was like “but do I have a dog? No? Well, I don’t think so”. And then she just kept on about the East Coast / West Coast thing, and I’m like “so now I’m Tupac? Well, duh.” But working in the cube is just so cool that it, like, transcends all that stuff in an totally I.M.Pei way. And when I say that, Lynina just rolls her eyes and I say “what? what?” and she lifts up her Renaissance News and Notes so I can’t see her face and we both laugh until we cry and then we both have to do our makeup again.

Actually, I always do well at interviews because, you know, I bought those totally serious-looking frames (even though I don’t need glasses at all, don’t tell anyone) and I think really hard of that guy who said “never make the interviewer laugh, but never let them forget you either” so I frown and try to conjure up the most like wild high cultural stuff I can until their head is spinning. Works for me, anyhow.

So anyway, I’m like four days (nearly a whole week, if you’re counting) into the job, and I’ve done the induction and the cleaning and the coffee round, and it’s my turn on the desk, and there’s a buzz from the guard upstairs and only The Maddest Mad Guy Ever turns up. You know, the one at the top left of the Do Not Let These People See The VMs montage pinned to the drawer that holds the snakes and the magnifiers, ringed in like red felt pen and stuff. But I’m new there and I don’t know this yet, so I’m like “Sure you can see MS 408, sir. Do you have a particular research question you’re trying to answer?”

At this point I notice he’s shaking, and I’m thinking he’s got some kind of palsy but actually it’s because he can’t believe he might actually be able to get to see the manuscript, what with it being digitized so that the curators can Just Say No To Mad Guys Like Him. So I say, you know, making light conversation, Sir, what kind of Oil is your hat made of? And he stops dead, looks at me as though I’ve just torched his favourite pet, and replies “what?

So I say, when I was inducted here they told me that people who ask for MS 408 often wear some kind of rare oil-based hat, all the while I’m looking at his cap which, like, just happens to be for the Edmonton Oilers hockey team. He says  “there’s nothing under the cap” in this totally intense way, and I’m thinking of Forbes Smiley and say can I check your cap, sir, and he says what exactly are you looking for and I say it’s this really rare oil, Tynph Oil or something, that we mustn’t let near our manuscripts.

And so he half-lifts up a corner of his cap and there’s just this balding head thing underneath (pretty gross, he must have been like fifty or something), and I’m thinking about people cutting out maps with concealed blades and someone said that there was this weird map-like fold-out page in MS 408, so I say can I see inside your cap?

He’s shaking even worse now and lifts up his head and there’s this flash of crinkly metallic light under there and I’m thinking it’s a blade, it’s a blade, omigod it’s a blade, so I reach down into the drawer for a miniature LED flashlight to look closer at it but when I turn back he’s gone – disappeared, running up the stairs. And that’s when I notice his red-ringed face on the top left of the whole Do Not Let These People page and I feel really stupid, for the first time since like 3rd grade or something, when I got my own name wrong in a test. OK, so I was just a kid and my mom had remarried, and I felt under pressure to carry on maxing my grades: but all the same.

Like, I can’t believe I actually nearly completely let a blogger handle MS 408? So how totally bad is that?

A nice email arrived from Paul Ferguson, pinging me about Giovanni Antonio Panteo/Pantheo (i.e. not the Giovanni Agostino Panteo who wrote the Voarchadumia as mentioned here before) and his book on baths & spas that is listed in the STC as Annotationes ex trium dierum confabulationibus (printed in Venice 1505).  According to The Story of Verona (1902), this balneological Panteo was “an author of various works in Latin, and a friend of all the learned men of his day“. His book begins:-

Annotationes Ioannis Antonii Panthei Veronensis ex trium dierum confabulationibus ad Andream Bandam iurisconsultum: […] in quo quidem opere eruditus lector multa cognoscet: quae hactenus a doctis viris desiderata sunt. De thermis Caldarianis: quae in agro sunt Veronensi…

There are a fair few copies around: for example, in addition to its other textual artefacts 🙂 , the Beinecke Rare Book & Manuscript Library holds one. Back in 1998, Christies sold one for £1,495, but a cheaper option is to get a microfilm copy (from NYU’s Reel #491). 

Panteo’s original manuscript has been dated to 1488, and is held in Verona as MS 2072 (about a page down):-

Giovanni Antonio Panteo, De thermis Calarianis; Andrea Banda, Sylva Caldariana suo Pantheo. Manoscritto cartaceo, ultimo decennio del secolo XV; mm.300 x 200; ff.150; scrittura corsiva e littera antiqua, inchiostri bruno e rosa; iniziali miniate decorate, tre grandi disegni a penna colorati; legatura recente in cuoio. Ms. 2072

The description given there says that this is a humanistic manuscript, and that it contains three large coloured diagrams “of great interest for the attention and documentary realism with which they represented the characters, landscapes and architectural details: the unknown artist was probably aware of the stories of Saint Orsola that just in those years (between 1490 and 1495) Carpaccio painted in Venice.” However, it’s not clear if those three drawings were reproduced in the Venetian book version: or if they were, how well they transferred across.

Of course, the reason this is relevant to Cipher Mysteries is because of the baths depicted in the Voynich Manuscript: for if the vellum radiocarbon date (1404-1438) is a reliable indicator of when the VMs was written down, then we should arguably be looking closely at 15th century texts on balneology to try to place these into their historical context. This is because the 15th century saw the medicinal cult of the hot springs’ rise to prominence, as well as its fall – by 1500, people believed (according to Arnold Klebs’ book, which I discussed here) that spas and baths were the source of syphilis, causing interest in them to rapidly wane.

Unfortunately, the impression I get is that balneological historians tend not to look very hard at this period: far more effort seems to have been invested on stemmatic analysis of the many manuscripts of The Baths of Pozzuoli than on compiling synthetic accounts of the development arc of balneology in the 15th century. Please let me know of any books that buck this apparent trend!

Anyway, what is interesting is that there is actually a recent monograph on this balneological Panteo: “Prime ricerche su Giovanni Antonio Panteo” (2003 or 2006?) by Guglielmo Bottari, published in Messina by the Centro interdipartimentale di studi umanistici, ISBN 8887541272. 185 p., [2] c. di tav. : ill. ; 22 cm. Not many out there, but 40 euros buys you a copy here. Perhaps that might have more to say about this matter, and possibly even a copy of the coloured drawings in MS 2072 (which would be nice). 🙂

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Update: Paul Ferguson very kindly (and swiftly) passed on a link to a low-resolution scan of an illustration from Panteo’s manuscript featuring debating humanists, baths, and swallowtail merlons – thanks very much for that! 🙂

panteo-illustration

The APOD third-time-lucky Voynich page has (just as you’d expect) been reblogged and retweeted near-endlessly, even on the What Does The Prayer Really Say blog, which describes itself as “Slavishly accurate liturgical translations & frank commentary on Catholic issues – by Fr. John Zuhlsdorf“, and has a Catholic priest smiley in the header:  o{]:¬)  Quality-wise, I have to admit that this tramples all over my (similarly-vaguely-autobiographical) ‘surprised balding bloke’ smiley, so score one for God here. =:-o

Interestingly, Fr. Z’s version of the APOD page has a few more pertinent comments than the original APOD page, including one (indirectly) from commenter Brother Charles’ mother who just happens to work at the Beinecke:-

That’s one of our most notorious holdings. We used to have a form letter to answer inquiries about it. Now I suppose it’s a form e-mail. I believe that the best guess is that the manuscript is an herbal with pharmaceutical recipes, etc. All kinds of people, some of them pretty far out, are trying to ‘crack the code.’

Also, Denis Crnkovic (who was once asked to see if the VMs was written in Glagolithic – apparently “it is not“) remarked that “My conjecture (totally unproved) is that it is a “secret writing” codex from around the Prague area used to further the scientific experiments and conclusions of the Prague alchemists.” Well… this would arguably be the #1 Voynich hypothesis, were it not for what seems to be the set of Occitan month-name labels on the zodiac emblems. But a damn good try, anyway. 🙂

As a final aside for the day, here’s a link to a set of urban myths about the Beinecke Library, courtesy of the Yale Daily News. Enjoy!

Excitement surged loudly through Imperial College’s Great Hall as the announcer belatedly bellowed those four terrifying words, signifying what for one side would be the beginning of the end: “Sssseconds out, Rrrrround One!

Danny grabbed Charles Hope’s arm: “Am I going to be able to do this?”, he asked. “Do you really think I’ve learnt enough to last five rounds… against him?

Relax“, said the Professor languidly as he stepped out through the ropes, “Iconologists are a pushover – they’re all talk. Your informed historical cynicism should win every time.

“That ‘should‘ word again”, thought Danny with more than a flicker of fear. “Why couldn’t he use something stronger, at a time when I really need moral certainty?”

He rose slowly, trying not to look intimidated by the leviathan bulging menacingly out of the far corner. Sure, Raza Reema was ‘only’ a student iconologist at the Courtauld Institute – but, let’s face it, the guy had an extra stone, two inches of reach and a whole extra post-doc year on Danny. Raza’s second, the formidable Joscelyn Godwin, flicked Danny a hostile glance as he eased himself out of the ring – yes, this was going to be every bit as tough as the TLS preview had predicted.

Yet for over three years, Danny had trained hard for this by grinding his way along each open shelf of the Warburg Institute, exhaustively dredging every book and photo for scraps that might prove decisive tonight – ironically using Aby Warburg’s creation to try to defeat its own research programme. With Hope as his mentor, wimpy post-grad Danny had bloomed into a research golem, equal parts fighting machine and rabbinical debating monster. Under the glare of the Channel 4 cameras, with the funding of the two institutions balancing precariously on the outcome, now was no time to be entertaining doubts.

Rather, it was time to fight – to kill or be killed.

And so the two boxers lurched defiantly towards the centre of the ring, the bell and the crowd’s roar ringing in their ears.

Iconology is a joke“, snapped Danny as he jabbed quickly at Raza’s ribs, “and you know what? The joke’s on you.

Cynicism is a losing path“, retorted Raza flashing shots close to Danny’s face, “that’s more about supposed intellectual safety than bravery. And lamers such as you are neither safe nor brave.”

Danny snapped his head back as a fast cross punch came close to his nose. For an instant, he paused: he thought he could smell something strange and pungent – Paco Rabanne? Juicy Fruit? Myrrh? No time to wonder, as he launched himself back to the fray.

Speculation without evidence is wasted research funding“, Danny barked grimly through his gumshield, circling lightly around the ring, “and you’ve wasted your life on a dream.

Absence of evidence isn’t evidence of absence,” pingponged Raza, feinting to the left. “But funnily enough, you and your crew are pretty short of persuasive evidence too.” Uncoiling quickly, he unwound a powerful right hook that skidded off Danny’s ear.

For someone so convinced by their thesis, you’re taking a notably nihilistic position“, sneered Danny, tucking himself down inside Raza’s defences to snatch a fast body blow, rocking him on his heels. He smiled to himself as he glimpsed Professor Hope in the corner nodding in obvious appreciation. “Are we really debating in an evidential vacuum?

Raza pulled back, slowing the tempo right down. “You know there’s evidence”, he sneered, “it’s more a matter of what evidence you choose to believe. Authoritas, eh?

The bell sounded and the two fighters decamped to their respective corners. “You need to start landing more body blows on the guy“, urged Professor Hope, rubbing Danny’s shoulders briskly with a Mnemosyne-emblemmed towel. “He’s got the reach, but you’ve got the research focus – time to take the fight right to him.” Danny narrowed his sweat-filled eyes across the ring: though Professor Godwin was fingering his bow-tie agitatedly, Raza seemed unmoved, as grimly powerful as ever.

Rrrrround Two!” shrieked the announcer, the two professors vacated their corners, and the contest started once more.

Splendor Solis“, Danny called out as he surged forward with a string of jabs towards his opponent’s chest, “is merely eye candy for the soul, feel-good alchemy for the rich: a Renaissance God’s way of telling you you have too much money and too little sense.

Raza stumbled, taken aback by the force of Danny’s full-frontal attack on his 2007 paper. His mind darted through his extensive bibliography reaching for an obvious refutation, but it all came far too late as Danny ploughed in with a tight one-two to Raza’s solar plexus and chin, sending the Courtauld man backwards onto the canvas and up again for a standing count.

Out of the corner of his eye, Danny could Professor Hope gesticulating to him with his hands, as though he were kneading some kind of symbolic dough. Dough? Meaning money? But surely it was time to finish Raza off?

Immediately the referee signalled for them to resume, Danny hurled himself forward at his opponent, trying to capitalize on his momentary advantage. “What’s the matter?“, he taunted. “The Rosicrucians got your tongue?

Cheap trick, Warburg kiddy“, blocked Raza, quickly clubbing Danny’s leading shoulder – the sheer force from the straight blow sent him reeling backwards to the ropes, the shock wave rattling right through to his knees. All at once, he felt his will to win this contest waver, even though four years’ research funding for the Warburg was at stake on its outcome. Has there ever been a fairer way to allocate resources?

However, a steel-edged glance from Professor Hope was enough to push him back to his full height. He then realized his mentor had just now been signalling him to slow the pace down, and not to get too excited – of course, he should have known that Hope wouldn’t try to communicate symbolically, particularly in an arena like this.

The two fighters now stood just beyond an arms’ length from each other, slowly pedalling around, regrouping their thoughts, angling to finding their key technical points of differences.

So… do you accept that Cesare Ripa made up his emblems“, Danny jabbed quickly, trying to tuck himself beneath Raza’s long reach, “and hence that Panofsky built his iconological castles on sand?

I’m cool with that“, scowled Raza as he dropped back a step, firing off a whistling blow close to Danny’s head, “but are you OK with the idea of Lorenzo de’ Medici being a uber-revivalist, a politicking Platonist insider?

Uh huh“, Danny nodded darkly, stepping sideways around Raza, “so… what exactly is the difference between us? Do you accept that your Splendor Solis paper was perhaps an over-positivistic iconological presentation of a medieval conceit?”

“Well…“, Raza pondered, also slowing down in the ring, “three years on, I would take a very much more nuanced view of it. My funding specified that I had to construct an iconological case, but it really wasn’t easy.

Danny suddenly stopped in his tracks, dropping his guard. “So they set you up for this whole thing?”, he said in disbelief. “They locked down your PhD subject, even seconded Joscelyn Godwin in… just because you had ripped abs and could punch for their money?”

“Basically, yes. And what about you?”, queried Raza, similarly dropping his gloves to his sides. “I heard that in your first year at the Warburg you were ‘pagan this’, ‘Edgar Wind that’. How did they get you to switch sides so comprehensively?

Yeah…“, replied Danny, “even though all that stuff ‘felt right’, I just couldn’t construct an historical case to support it, and in the end felt I had to drop it. As always, the truth lies in the cracks between.” By now, the packed crowd was starting to boo at the lack of action, and even the referee was edging over to see what was wrong. “Anyway, what aftershave does Professor Godwin wear?”

“Aftershave?“, said Raza in surprise. “Ummm… Paco Rabanne, I think. Why’s that?”

“Actually, I think I smelt some on your gloves“, said Danny.

Really? On my gloves?” said Raza, reaching down to sniff them.

It was at that precise moment that Danny’s devastatingly strong uppercut hit Raza square beneath his chin, knocking him clean out cold.

Job done!“, shouted Danny in triumph, as the referee and Charles Hope held up his arms.

I told you iconologists are a pushover“, said the Professor sideways.

Yeah, they’ll believe anything you tell ’em“, said Danny, “Anything at all!

* * * * *

[PS: all names, places, and institutions in this story are utterly fictitious, even when they’re plainly not.]

Just in case you thought my recent list of upcoming talks was too UK-centric, here’s a nice one from the US…

A while back on Cipher Mysteries, I mentioned the 200-year old challenge ciphertext sent to Thomas Jefferson by UPenn maths professor Robert Patterson. But in a PhysOrg.com article (linked from the Daily Grail), there’s news of a lecture being given at the University of Oregon by Lawren Smithline (the person who finally cracked the transposition cipher) at 4pm Tuesday 26th January 2010, in Room 100 of Willamette Hall, 1371 E. 13th Ave., Eugene OR. Free admission.

(As always, please drop me a line if you happen to go along.)

While searching for things to do with the humanist minuscule hand, I stumbled across a reference in a short 2002 paper by Jessica Wilbur to an oversized 1981 hardback by Jacqueline Herald called “Renaissance Dress in Italy : 1400-1500“. Now, I thought, that sounds like a book I’d really like to buy: only to find out from Bookfinder.com that copies now go for between £403 and £836. Ohhhh well…

However, according to the M25 Consortium and WorldCat there are at least 20 copies of it in libraries not too far from me (including the British Library, the Warburg Institute, Kingston University, Cambridge, Oxford, etc), so it shouldn’t be too hard to get hold of this by some [hopefully legal] means.

Is this something any Cipher Mysteries reader has already seen? It seems almost the perfect book to have in one hand while examining the various Voynich nymphs’ costumes: and it seems strange that such a strong visual resource didn’t feature in the recent Austrian documentary. Maybe its very rarity has made it lost to a whole generation of researchers, who knows?

Update: having posted this, I settled down to continue reading the copy of Mark Phillips’ (1987) “The Memoir of Marco Parenti: A Life in Medici Florence” that I bought yesterday in the very pleasant  Oxford Street Books in Whitstable. And in footnote 22 on p.40 there just happens to be… yes, a direct reference to Jacqueline Herald’s book. What are the chances of that, eh?