The “Devil’s Handwriting” cipher first appeared in 1539, reproduced in a book by Teseo Ambrogio Albonesi: and, of course, nobody has yet managed to read even a word of it.
But for a short time in the mid-17th Century, oddly enough, it became hugely famous when a copy of Albonesi’s book held by Queen’s College was proudly shown to the newly-Restored Charles II (along with the Queen and the Duke and Duchess of York) on a visit to Oxford on Michaelmas Day 1663. It was the talk of court; and the matter of a small bribe to persuade someone to bring the book out on display became a necessary evil for tourists working their way around Oxford’s wondrous historical sights.
The Devil’s Handwriting then found use a kind of cipher mystery meme: that is, in much the same way that netizens now occasionally use the Voynich Manuscript as a handy metaphoric brick to virtually lob at things they deem incomprehensible, a 1674 poem by Thomas Flatman uses the Devil’s Handwriting to disparage the allegedly impenetrable poetry of Sam Austin of Wadham College:
“We with our fingers may your Verses scan,
But all our Noddles understand them can
No more, than read that dungfork, pothook hand
That in Queen’s Colledge Library does stand.”
[And in fact in 1743, Johann Christian Götze (describing Albonesi’s book) used almost exactly the same phrase to describe the shape of the Devil’s Handwriting’s letters: Mist-Gabeln. Nice.]
Another Oxonian poem (this time from 1746) celebrates rather than execrates the cryptogram:
A dark, oracular, mysterious scrawl:
Uncouth, occult, unknown to ancient Greece,
The Persian Magi, or the wise Chinese.
Nor runic this, nor Coptic does appear;
No, ’tis the diabolic character.
All in all, I think it fair to say that, circa 1665, while the Voynich Manuscript was still on its way to Athanasius Kircher’s to begin a multi-century sleep in Jesuit trunks, the most famous cipher mystery in the world was actually… the Devil’s Handwriting. Just so you know.
PS: I’ve added a page to the Cipher Foundation website containing all the above references to the Devils’ Handwriting.




