Poor old Roald Dahl, remembered more or less entirely for his plucky parentless pawpers propelled into beastly circumstances (but who somehow come good in the end). Apart from bookish Dahl completists patiently working their way through the library shelf to find hidden gems to read to their son/daughter (errrm… like me), whoever would end up reading Dahl’s “Esio Trot“?

It’s a nice (if slightly mawkish, compared with Dahl’s normal writing) little story: it concerns a plot contrived by a lonely retired gentleman (Mr Hoppy) to gain the attention of the attractive widow (Mrs Silver) living in the flat immediately below him, despite her obsession with a puny tortoise called Alfie. I’d like to point you to the Wikipedia article here, but as it does nothing but summarize an already short story, that would be a mean-spirited waste of link ink. 🙂

But does this book contain a cipher mystery? Why… yes! Mr Hoppy pretends to Mrs Silver that he had been told a tortoise-enlarging secret by a Bedouin tribesman – and writes down a special chant for her to whisper to Alfie each day, which begins…

ESIO TROT, ESIO TROT,
TEG REGGIB REGGIB!

Speaking as a collector of Quattrocento letter transposition ciphers (such as Leonardo da Vinci and Antonio Averlino used, and which Alberti also described), I have to say that it came as quite a surprise to me to find a modern example with illustrations by Quentin Blake. (Though given that Dahl was employed by MI6 for some years, his interest in cryptography is perhaps not totally unexpected?)

So… can you read “Esio Trot” yet? Or are you not as backwards as a tortoise? 😉

“Geezer”, sighed the bald little man, “this is London, rip-off centre of the world. As they say, ‘Walloons devise, Londoners revise’.”

The long-haired man shifted awkwardly, twiddling his cheap codpiece. “It’s not just a matter of copying – my master has certain… unusual requirements.”

“Heh, this part of town’s full of pretty girls who for the price of…”

“No, you lecherous fool, his requirements are about the manuscript. He says it has to look old – really old, as though God’s own angels had written it.”

“Must… have… angelic… script…”, muttered the mordant midget as he scribbled notes on a scrap of paper. “Hold on a mo’, your master must have that spooky German abbot’s book in his library – padiel aporsy mesarpon omeuas an’ all that, eh?”

“As yet he has not – but if you hear of a copy…”

“…yeah, I’ll whistle, don’t you worry, geezer”, soothed the midget, mysteriously noting down ‘humpty bonus real russet’ in his notes. “Anything else about this ancient fake he wants us to make?”

Kelley’s eyes raised and narrowed, as if he was looking at a far-off object. “My master wants hundreds of pictures threaded through the book – plants, star diagrams, and small naked women to please the reader’s eye.”

“Phwoah, your man does have ‘unusual requirements’ after all!”, snickered the faker. “Well, I can’t promise you no works of art, seeing as it’ll be the boy what does the drawings, he’s only eight, and he’ll be using his pregnant muvva as a drawing guide.”

“Well… OK… but be sure to tell your boy not to use any fashionable hairstyles or clothes, as it has to look really old…”

“Ah, clever stuff, matey-boy! You’ve really been workin’ this out, ain’tcha?”

Kelley ignored his uncouth patter, and continued counting an imaginary feature list on his fingers. “Use whatever size sheets of vellum you can get your hands on: oh, and use Cardano’s clever grilles to generate text that resembles the patterns of language. It’s simple once you get going, I’m told.”

Now I’m beginnin’ to see where you’re headin'”, chortled the little old guy, a shy grin smirking its way across his toothless face. “Howsabout we also make it look like loads of people have owned it? You know, shuffle the pages around, rebind it several times, flip the leaves around, add little comments in the margins, add fake wear-marks along various folds, overpaint it in twenty different paints and styles. If we leave all kinds of different fake clues for your buyer’s so-called experts, it’ll take them centuries to figure out how we turned ’em over, the suckers!”

“Now you’re just being ridiculous!“, snorted Kelley as he pushed the fake factory manager aside and marched off into the crowd. “What kind of a fool would go to that much trouble?”

“Hmmm… what kind, indeed?” mumbled the old man to himself. “Get me my quill, boy – I’m feeling inspired…”

What picture might outsiders paint of Cipher Mysteries in their mind? A mid-town apartment filled with books, box-files, printouts, and eBay-bought sofas filled with a continual stream of cipher groupies all surreptitiously hoping to pick up on some innocuous clue to fabulous buried treasure?

Well… that’s presumably fairly close to what the script-writer on The (all-new) Basil Brush Show (on the CBBC channel) sees when he closes his eyes, as you can tell from Episode 7 of Series 6 called “Da Basil Code“, where Basil and his friends go on a Dan Brown-esque cipher scavenger hunt.

It starts with Basil talking about how his family have long sought after the mythical Golden Teacup of Cam-Oh-Mee-Lay (*sigh*), that can give you whatever you wish for; then, Basil’s evil cousin Mortimer just happens to steal the Mona Lisa and bring it to Basil’s flat; someone just happens to spill a cup of tea over poor M’ona, revealing a concealed message in a nearly-lost language; which ditzy Madison just happens to be able to read; which just happens to lead them to a series of clues (such a huge stone sarcophagus that just happens to be in the middle of Madison’s flat) ending in a disused dishwasher in Anil’s cafe. Anil then just happens to be a member of a millennia-spanning secret organization dedicated to guarding the Golden Teacup; but when everyone just happens to wish for too much materialist stuff (as they were warned not to do right from the start), the Golden Teacup breaks. But then they go off on another scavenger hunt (so that’s alright, then).

(Incidentally, every time I watch or read one of these trashy cipher tales, each “just happens” plot device makes my stomach tighten – they’re symptoms of underlying writing laziness.)

Now, I read “Da Basil Code” as a cautionary tail :-), for those Cipher Mysteries readers who just happen to be currently plotting / writing cipher-themed books / screenplays to consider carefully. Look – if this po-faced Da Vinci Code stuff is already clichéed enough to be thoroughly parodied for the viewing pleasure of 5-9 year-olds (and not even at the hands of the Simpsons scriptwriters, who have given us Homer’s talking astrolabe), then might it simply be that the whole scrungy idea has passed its sell-by date?

Not to put a bomb under your best-laid plans, but… boom, boom! 🙂

You do realize“, added the man with the tinfoil hat, nodding thoughtfully on the webcam, “that he’s completely mad. For all his qualifications, there really is no reasoning with him.”

Dave, please rest assured that I fully take your point”, said the journalist, disconnecting as fast as she possibly could. She slumped back in her chair, increasingly desperate for a drink, any kind of short-term alcohol hit to prop up her dipping blood sugar level. Only two more days to the copy deadline for her 2000-word Voynich Manuscript Sunday supplement article, and all Katrina had for her efforts was a rapid succession of dull talking heads, each with basically nothing of substance to say about the manuscript itself, all the while bristling with shirty hatred for anyone who happened to disagree with their pet theory. And, as a general rule, the more entertaining the shirtiness, the less tenable the theory would be.

‘Star Trek Dave’ from Seattle certainly matched that template to a T: OK, so he didn’t actually say the Voynich was written in Middle High Klingon, but he was more than happy to demonstrate the extensive statistical similarities between the two, and positively ecstatic to be given the opportunity to trash anybody at all who thought it was some kind of hoax. He claimed that the shiny hat was to stop his head overheating in the sun: all the same, she couldn’t help but notice the overcast sky behind him in the webcam. What… a… mess.

Numbly, Katrina scanned through the rest of the list of Voynicheros she had planned to interview today: ‘Scatty Duck’ from Kansas City (who believes it was a Mexican encyclopaedia, transcribed by a Venetian missionary); ‘Secretive Squirrel’ from Rotorua (who is sure that Leonardo wrote the A pages, while Nostradamus wrote the B pages); and the white-haired ‘Hoax Hacker’ from Guernsey (who has a talent for spinning every single piece of evidence to make it support his hoax theory, and whom everybody else seems to hates passionately).

Would any of these enthusiastic nutters have anything to say about the mystery to catch the interest of Sunday morning newspaper readers? Being brutally honest, the answer was an overwhelming No: and for a brief instant, Katrina felt a terrible, desolate sadness wash over her. It felt as though the manuscript itself was no more than a pawn to be moved around, a secondary affair destined to never quite satisfy the malformed emotional needs of all these heavy-hearted humanists. She felt a powerful urge to try to shake them all up: but then, as that brief red tide ebbed, saw that this would achieve less than nothing – knocking yourself out to help those who choose not to help themselves is an eternal lose-lose game. She was a journalist, not their therapist.

This was the point when she decided to put it all aside for the night, and to get horribly, miserably, pathetically drunk. Even by up-town wine bar standards, her first bottle – an acrid South African Pinotage blend – had no right to be so expensive: but by halfway through her second bottle, it was doing the trick, and was even starting not to taste quite so much like stalky drain cleaner.

She was giggling to herself now at the foolishness of it all, sitting in the corner sending incoherent text messages to friends who had said they might meet up with her during the evening. And was that sexy young barman avoiding her? “qokedy qokedy dal qokedy qokedy” she had tapped in: once the predictive texting had learnt “qokedy”, she was able to spool out great chunks of nonsense Voynichese at high speed – and the more qokedy‘s she texted, the glumly funnier it all got (to her, at least).

Still alone at 11.30pm (she couldn’t guess why nobody had joined her), and thoughts of getting a taxi home were slowly starting to edge into those few corners of her brain not yet utterly dulled by alcohol. An odd, shivering sensation ran up and around her back, like a sniper’s jerky laser-sight aimed at her: with what little finesse she could muster, Katrina glanced inelegantly behind her, but there was nobody in that corner of the room. Well – nobody she could see, anyway.

That was strange, as it was normally only Class B drugs that made her feel paranoid, which is why she didn’t do them any more (that, and being paid a pittance to type trash). I must have picked up some kind of freak overproof Pino-skunk-otage, she thought: time to hit the road before the road hits me. And then her dirtbag Nokia with its blinged-up birthday cover trilled up, announcing a text message from perennial network favourite Mr “Number Knott-Recognized”:-

u r so qokedy daiin, m8 lol

“daiin”? Diane? Was her friend Diane bouncing some kind of Voynich txt joke back at her? Scrolling down, the odd msg continued:-

v old + v ciphered, got it?
plants=noise, humans=signal
i/ii/iii spin my wheel
time=now, u r 2/12!
u will shine, peace 2 u! :)

That was roughly the moment when the table decided to rush up, her head decided to rush down, and the two met halfway with an alarming thud.

She came to in the back seat of a black cab, rattling over the Euston Road on its way north towards Crouch End’s diesel-encrusted fug. As her eyelids slowly peeled apart, she realized that sitting opposite was Diane, furiously French kissing that wine bar waiter: she must have turned up late, seen Katrina doing her maudlin drunk thing in the corner, and improvised some alternative entertainment for herself. Bitch. At least she shared the ride home – well, the cab part of it, anyway.

Unsurprisingly, not long after that it all faded to a murky black once again.

The next morning brought ibuprofen, black coffee, and self-pity aplenty: Katrina crawled into work a little later than she should, blocking out all thoughts of that ghastly manuscript until she sat at her desk to power up her laptop.

And then she started to piece together the previous night’s events in the wine bar. That was when it came to her: what had that bizarre text said?

She scrabbled in her bowling bag’s pleat pockets for the mobile, clicked on the message inbox and… nothing was there. Empty. Zero. Zilch. Not so much as a single qokedy. What was going on?

Oddly, as her laptop desktop awoke it revealed that it had acquired a new background: a stylized sun-shape she vaguely recognized from one of the Voynich Manuscript websites. But this didn’t disturb her – rather, she felt strangely reassured by it, even slightly warmed. Sure, something odd had just entered her life by a side door – but whether it turned out to be some spooky X-Files thing, or some kind of practical joke courtesy of Echelon and the NSA, she didn’t really mind.

Whoever it was, she was rather glad of the company.

And that’s when she knew exactly how the rest of the article would go…

Every night for months, Mary-Anne had pored over every shape, letter, figure, and line of the Voynich Manuscript’s 200+ enciphered pages, a pale brown vellum laptop glow lighting  up her flat until the small hours. The more she looked, the more she was certain the answer was “hidden in plain sight” just as cryptology experts always said, even if they themselves had no idea where to look or what to look for.

She, however, had a very special secret weapon, a righteous sword to slice through this cryptographic Gordian knot. It had come to her close to the Spring Equinox: at the very moment she had first seen the Voynich, she had had a searing headache accompanied by a vivid mental picture of Christ Himself on the Cross. For that briefest of instants, she felt like a blessed, cursed mystic, a modern St Hildegard of Bingen; and glimpsing something so wonderful, awful, and joyful changed her life beyond all measure.

In fact, Mary-Anne found herself transformed into a virtual nun, the first Blessed Sister of the Voynich – and with much holy codicology to focus upon. To mute the incessant noise of the world, she binned her mobile phone, left her answerphone permanently on (and never played the messages), and turned all her old friends away when they came knocking at her door. With every new day, her former life peeled just that little bit further away from her, a snake skin she no longer wanted or needed. She even shut the door on Joe and his flowers and love notes, never mind how much the “old her” had liked him.

Fast forward to November, and she had changed tactics, placing printouts of all the plant pages on the floor and spending time shuffling them around, looking for unexpected handwriting and colour matches.  Yet it was then that it struck her, might the Messiah be hiding there, for was He not the Tree of Life? On a constant adrenaline high and a sense of being desperately close to the end, she began working all night and forgetting to eat, leaving her weak and constantly retching. This, she rationalized, was surely the mystic’s lot – but she had no choice, for hunting down the Saviour inside the Voynich was the one true path that had been allotted to her.

And now tonight, late on Christmas Eve, with a pile of unopened Christmas cards blocking the flat door, the million-piece jigsaw had begun to come together. When she had finally remembered to add to the mix the herbal pages misplaced in the pharmacological sections, her months of fervent searching had finally revealed the key, the visual enciphering mechanism. She could now vividly see that the herbal pages, if you arranged them (just as she had done) in the correct pattern, formed a long-hidden picture of Christ crucified – exactly the same one as had first flashed into her mind’s eye all those months ago.

Having set up her webcam to record the perfect image of His suffering face laid out on the floor, Mary-Anne felt an odd glow inside her, and stood there gazing at the image that had been concealed for many centuries, appalled, amazed, aghast. And against all the meteorological odds, a light dusting of snow began to lightly fall outside her window. The time was ripe to show the world her amazing discovery – and how marvellous that that it was to be on Christmas Day.

But just as she set the live feed going, something suddenly wrenched around deep inside her – clutching her swollen stomach in dreadful pain, Mary-Anne collapsed on the floor, right on top of her reconstructed image of the Saviour. Great lurching waves of agony jerked and pinballed around her body. “My God!” she screamed. “I’m dying – help me!

The Voynich webcam lurkers at first dismissed it all as a kind of performance art hoaxery: but after a few minutes, her very real pain was all too obvious – and she was too incapacitated to make it to the phone in the corner of the room. “M-A!“, one shouted, “I’ll call an ambulance – where do you live?

Not long after, the watchers heard the crashing sound of policemen breaking down the flat door, followed by the paramedics’ shouting as they rushed swiftly in, scattering all her carefully arranged papers. And they took in every gory, magnificent detail, as Mary-Anne pushed and screamed and pushed and screamed and gave birth to a beautiful baby boy.

Wilfrid.

Get up, fool!“, barked Guillaume Imbert, the French Grand Inquisitor. Yet the Grand Master Jacques de Molay continued to lay on the prison floor, passively resisting to the end. “OK… that was your last chance, Templar scum. Guards – crucify him, and wrap him in a shroud which his bodily fluids will seep into, leaving a ghostly imprint which will quickly come to be believed an image of Christ Himself.

There was a sudden rattling at the cell door, and a plainly-dressed Philip IV and his entourage swept in. De Molay opened a single swollen eyelid. “What, no bling today, Your Majesty? Pawned all the Royal Jewels, perchance? Presumably that’s why you’re planning to seize the vast Templar treasure trove… such a pity we’ve already hidden it in plain sight in a location known only to the author, his/her publisher’s marketing department, and Henry Lincoln.”

No worries, Jackie-boy“, smirked the king, “I have already set in place my own sprawling conspiracy to retrieve it that will run for centuries – yes, even beyond the French Revolution and the first two World Wars upon which your man Nostradamus will write so eloquently.”

“Pah!” retorted de Molay. “Our Templar conspiracy has a two century headstart on your upstart Royalist conspiracy. In fact, we have well-drafted plans to go underground for seven hundred years only to reemerge as a 21st century ninja fighting force with a secret Gnostic terrorist agenda. Unfortunately, because I am illiterate, I could not read those plans, so torturing me to reveal them has been a bit of a waste of time so far.

You call that a conspiracy?” spat the gallic Inquisitor. “But how will you preserve the secret knowledge of Jesus himself at the heart of your anti-Church Templar initiation ceremony which 20th century novel-readers will hear so many versions of? Surely you will need some kind of heavily-enciphered Macguffin to transport dangerous heretical information that could change everything for heavily religious readers (if they happen to be particularly gullible) through time?

Yes, the Church wants to know that too“, exclaimed Philip IV, “for it is their fanatical agents who are going to be hunting it down for the next six centuries. Even if they are all in my pocket in Avignon at this particular point in history.

The Grand Master paused menacingly, eyeing the two men. “Well… OK, then… seeing as we’re best mates an’ all that. We’ve already had our deepest, darkest secrets enciphered by a mad monk by the name of Roger Bacon, who cunningly disguised it as a herbal manuscript from two centuries hence, with instructions for it to be copied by Leonardo da Vinci when he’s born. Oh, and we’ve listed the 365 secret hiding places for the Templar treasure in an appendix at the back. Basically, it’s a bit like the Beale Papers, which we’ve got planned for the future too – good job we’ve already written the Declaration of Independence, eh?

The King drew his once jewel-encrusted dagger and sharply held it at de Molay’s throat. “And does your idiot author really expect his/her readers to swallow all that guff, even if they are laying on a sun-kissed beach? Surely that’s enough to make even one brain cell want to strangle itself?

Guillaume Imbert gently pulled the king’s arm back. “It worked for Dan Brown“, he hissed in the Royal Ear, “so nobody wants to mess with The Secret Formula“.

Is this true, then, de Molay?” snarled Philip. “Is this the Secret Novel-Writing Formula enciphered in the Templar’s secret codex? Will it be Dan Brown himself who will decipher the so-called-six-centuries-hence ‘Voynich Manuscript’ and grasp the Templar money-making secret of writing Romance novels? You know, the secret of making unlimited money from home I see described in so many banner ads unfurled outside my palaces?”

But the Grand Master merely turned to face the king, slowly raised his hand in the ancient Sumerian symbol of defiance with his middle finger raised aloft to the sky, and proclaimed the secret Templar initiatory phrase later to be popularized by Priory of Sion Grandmaster Arthur Herbert Fonzarelli – “Prithee, sit on it, sire“. Plainly, some secrets are beyond all discussion…

Django furiously frisbee-ed his wireless mouse against the wall, but the outer shell somehow failed to shatter as it was supposed to. He kicked his oak desk: that, too, failed to break. For once, it seems he’d got lucky with eBay office furniture: and so he turned angrily back to the cryptographic fugue endlessly playing itself out on his laptop.

It was the guilt that was eating away at him: though his downloadable Voynich Manuscript mystery-cracking screensaver had started out as a half-baked idea in a bar, it had grown into a global monster with sixteen million PCs all hungrily evolving their own mad cryptological strategies, endlessly swapping and feuding over marginal etymological and historical notes.

In many ways, writing a desktop application to simulate mad conspiracy theorists had been the easy part: it was just a matter of working out an appropriate set of parameters for delusion, foolishness, distrust, and so on. However, Django had been most proud of the networking side, by which all his cryptological drones could form into mad communities – virtual bulletin boards, forums, mailing lists – and fight each other to the death. He’d always thought Nietzsche was onto something, and had relished the chance to put it into practice.

But now it had all gone bad, disastrously bad: after one particular accidental change to his infrastructure code, his army of screensaver drones had begun spilling out of the sandbox to invade the real world, posting their programmatic paranoid drivel everywhere, endlessly rewriting Wikipedia pages, sending acutely well-informed (but bizarre) letters to academics and papers, and even creating their own plausible-looking online journals.

And the big red off-button didn’t even work (yes, he’d tried).

Ever the budding ecomentalist, his five-year-old daughter had asked him how much energy the whole enterprise was wasting – how much CO2 Daddy’s ridiculous chimera was causing to be emitted every day. She was right, of course, it had to be stopped – but how? Whenever he tried to argue for the whole experiment to be shut down, he found himself being flamed beyond belief – and he couldn’t now tell whether all the abuse was coming from actual people or from his army of paranoiac screensaver drones.

But even that wasn’t the worst thing – not by a long way.

Terrifyingly, even though he hadn’t programmed the drones to agree, in the last few weeks they had begun to eliminate the worst theories – even mad drones could agree on Popperian falsification, it would seem. But nobody apart from Django knew this was happening: to uninformed eyes, the screensaver pattern he had written to show the status of the enterprise looked simply like strange pulsing, rippling, 3D eye-candy – but through it, he could visualize the internal ebbs and flows of opinion within the self-organizing communities.

To be precise, he alone could now see that a trillion trillion mad theories had somehow been whittled down to just two dominant positions – hoax theorists versus Leonardo da Vinci theorists: and with roughly eight million drones on each side of the argument, it couldn’t have been more polarized (or more bitter). What was acutely worrying was that, because the hoax drones were centred on the US while the Leonardo drones were centred in Europe, they were starting to physically mobilize against each other.

First to strike had been the hoax drones, knocking out several European Internet backbones, trying to disrupt the Leonardo drone communities’ lines of communications – but the Vinci-ites had then mounted a surprise attack on the GooglePlex, disrupting the hoax drones’ main information spigot. When Django tried to get the word out what was going on, both sides reduced his Internet access to a dribble – and even overrode the automatic locks on his doors. He and his family were trapped in their mid-town apartment, helplessly watching as Fox News told the world of the bizarre terrorist cyber-war going on, updated every fifteen minutes.

And with the Western world on the brink of a kind of cryptographic Armageddon, the pattern in his laptop was now changing again – but what would happen next? Django could see that the swirling clouds of pixels were morphing from a figure-eight arching around the two strange attractors into a single perfect loop of opinion – that the Voynich Manuscript was Leonardo da Vinci’s incredible hoax. Finally, the computers had spoken their collective mind – and as the sixteen million paranoid silicon bots agreed on a single, wretched, stupid theory, the whole project juddered to an awful, stagnant halt.

Once again, he tried shutting the project down: but this time round, it actually seemed to want to die, to embrace the silent darkness of non-existence. Django collapsed onto the carpet just as sixteen million screensavers all went black, as all the mad minds he had brought to life came to believe they had reach a tentative peace in their programmatic hearts, by somehow converging on a deeper truth.

(Never mind that it was a crock.)

Perhaps it’s some mysterious side-effect of the Da Vinci Code, but it seems that all of a sudden cipher challenges have become cool again (if they were ever cool before). I did a quick trawl of the Net and came up with this quicky little list, mostly from 2008:-

And so on: please don’t email me any others, this list should be plenty for most people!

Geraldine Brooks’ novel “The People of the Book” (2008) tells the story of a (fictional) Australian book conservator called Hanna Heath, and her encounters with a (real) codex called the Sarajevo Haggadah. In this sense, it is very much akin to the Voynich Manuscript novels I review here, which typically use the mystery of the VMs as a projective backdrop for their quasi-historical stories of life, death, passion and (occasionally) beauty, plucking the occasional codicological thread from our collective skein of Voynichological ignorance to frouf up into a faux Restoration wig.

One page in particular is returned to again and again: I wished this had been on the book cover so that I could see for myself what the fuss was about. Well, here it is, book fans (and there are plenty more on this Talmud site, and on this facsimile publishing site here):-

haggadah_seder_small
Sarajevo Haggadah – family seder illustration

Brooks has given her book a formal, almost musical structure: chapters set in Hanna’s present day ping-pong with chapters recounting enjoyable storylets of the Sarajevo Haggadah’s (imagined) past, each evoked by a single codicological detail – an insect’s wing (Parnassius mnemosyne leonhardiana, just so you know), a missing clasp, wine stains, saltwater, a single white hair. In each case, the life and atmosphere of a particular historical Jewish community is nicely evoked: and there are plenty of little structural surprises scattered throughout to keep a sense of movement in the narrative.

haggadah-marginalia-small
Sarajevo Haggadah marginalia from Venice, 1609

In one important sense, the point of the novel is that it tries to draw a parallel between (a) the process of trying to get to know the past of an object, and (b) the process of trying to get to know oneself: this is, after all, what history (as a tool) is for. Yet despite aiming her bow in such a noble direction, Brooks doesn’t quite hit the bullseye: though her protagonist finally uncovers the secret lives both of the haggadah (just as I’ve said with the VMs, incandescent lighting rocks) and of her family, she remains fundamentally the same shallow, dissatisfied shagette we met in the first chapter.

Yet in other ways, the real meat of the novel is in Brooks’ account of the codicology, based in part on observing real-life Austrian book restorer Andrea Pataki working with the actual Sarajevo Haggadah in December 2001. Brooks’ description of the texture and sheer tactility of an up-close (but slow-motion) encounter with a ancient manuscript is both detailed and (in my experience, at least) highly evocative of how this kind of thing actually does play out in reality. If you won’t ever get to touch a real-life manuscript yourself, maybe reading “The People of the Book” isn’t such a bad alternative. 🙂

Look, I enjoyed it and I hope it does well for Brooks: with “The Reader” doing so well at the cinema, I can quite imagine this being picked up  (doubtless Kate Winslet could do a bonza Ozzie accent). Yet whereas The Reader was about hiding illiteracy, Brooks’ book is more about uncovering literacy, using codicology to imaginatively reconstruct the lives of the people behind this amazing book. As such, I can only applaud.

Here’s something that was a surprise for me, perhaps it will surprise you too: “People of the Book“, a 2008 novel by Geraldine Brooks, teasing out (imagined) story after story from the margins, stains and marks left on “the Sarajevo Haggadah, one of the oldest surviving Jewish illuminated texts” (thus spake Wikipedia). One Amazon customer reviewer called it “CSI for librarians“, but I’m not sure how best to file that kind of compliment: still, better that than “magisterial”, eh?

Oddly, though this is Brooks’ first novel since she won a Pulitzer Prize, there are plenty of cheap copies on bookfinder.com / Amazon Marketplace (etc), so shop around. Even though it’s not strictly a cipher novel per se, I’ve ordered my copy & will review it along the way…