Even though things are pretty quiet here in Cipher Mysteries Mansions, there’s still a backlog of minor Voynichiana to deal with. Wish me luck, here goes…

  1. Here’s a Russian-language 2010 ‘Internet Edition’ facsimile of the Voynich Manuscript. Might end up cheaper than the Gawsewitch edition, who knows?
  2. Here’s a webcomic from 2003 where the artist (David Morgan) draws the frames, people suggest text, and he loosely merges them together into something. Merely a bit of Voynich name-dropping, nothing as contrived as XKCD etc.
  3. Here’s a logo inspired by mixing up Voynichese and pictures of neutron stars (love the brief). What’s particularly nice is that the artist included all his inbetween sketches (so you can see why only one Voynichese letter made it through to the end). Just so you know, it was for a “group of what might be best described as soldier/mailcarriers in a science fiction erotica novel“. Yeah, we get a lot of those in Surbiton (probably in The Victoria, I suspect), they also need logos to distinguish themselves. (Note: the site can be a bit slow to load, but it normally gets there in the end).
  4. Another music track named “Voynich” for your MP3 collection.

Such a stupid thing for a bright kid to do: pinballing through her mid-teen rebellion, Jena Kyng had wanted to demonstrate some kind of unbranded online tribal allegiance, and ended up with two lines of Voynichese across her lower back (from the end paragraph of page f67r2, as if anyone off-list really cared). Though in many ways, she’d had a lucky escape: imagine ending up with that bozo Gap logo as a tattoo – now that would have really sucked.

But since then, her whole A-grade student train had derailed: and once bad boy boyfriend #1 had morphed into worse boyfriend #2, it was surely just a matter of time before her steadily-growing drink, drugs and abusive partner habits all conspired to help her paint herself into a truly dismal corner of society. All that Voynich research graft lay long behind her: why bother about history when you can see no future?

Countless times since she’d tried to fit herself into straight-ass day jobs, but the minute she got asked to work extra, she’d elevate the royal middle digit… and then it was just a matter of days before the order came from on high to clear her desk. And so, like Michael Palin, Jena’s life now danced defiantly from inhospitable pole to pole – though she somehow doubted Palin could shake his aging Pythonic tush half as as well as her. It’s a skill, she liked to console herself, however minor in the big scheme of things.

So, welcome one and all to her latest home from home, the Green Lizard Club in Muskogee, Oklahoma – ‘Green’ because the owners had replaced all the seedy lighting with LED lamps, thus helping its patrons to feel as though they were saving the planet while stuffing high-denom bills into pole-dancers’ lithely minimalist underwear. Sure, it’s a big fat eco-gimmick: but everybody loves eco-gimmicks, right?

All the same, tonight had been shaping up to be a stultifyingly mediocre night to cap a shockingly shabby week. Jena’s only ray of hope left was the bunch of startup guys – no, not the wind turbine crew (who came in once with some terrified-looking VCs but never returned), but the social media gaggle on Table 3. Bright people, no doubt, but… social media in Muskogee? As if Dave McClure is ever going to drop by here, of all places. Well, not unless he’d absolutely insisted on a live demo from some MIT Star Trek teleportation spin-out. How vividly Daveski would swear if he found himself unexpectedly re-materialized on Okmulgee Avenue, eh?

So, when the lanky one with a testosteronal chin (a bit like a pumped-down Matt Damon) called over to her, she twisted her mouth into her second-best smile (“positive, life-affirming, it’s-great-to-make-money-off-you-geeks”) and danced towards the group. As you’d expect, they knew her name already, but of course she couldn’t give a rat’s ass about theirs. Life is easy when you just don’t care.

“Hey Jena”, Matt Jnr shouted over Hooverphonic’s sweet music, “I think there’s a problem with your tattoo.”

Well, she thought, m-a-y-b-e: but that was when she noticed The Handsome But Odd Guy in the group, mouth slightly open, looking straight through her with his puppy-dumb X-ray eyes. “A problem?” she replied, her PanAm Smile still intact.

“Our guy Rain Man wants to know why you have a Latin poison book for a tattoo”, the tall guy continued. “Oh, and just so you know, Nate’s got Asperger’s, which for him means he codes like an angel but doesn’t like to get out of the office much.”

“No, I’m pretty sure it’s not a poison recipe”, Jena replied turning towards him, a wave of minor cracklets starting to break round the edge of her working smile. “It’s from an astronomical page of…”

multa michi circa venenorum materiam“, Nate was reading, “dubia occurrent quorum declaratio nixi. Pretty funny tattoo you’ve got there, Miss.”

There was an odd, whooshing sound in her head, as clusters of Jurassic synapses creakily reassembled a fossilized memory from way back when she was still a basically whole person. Yes: it was an incipit she’d seen before, back in her Voynich research life. And if so, then it was probably from Thorndike’s History of Magic & Experimental Science, most likely her favourite Volume IV. So, it would be… the second half of Antonius Guaynerius of Pavia’s twin treatise on plague and poison, composed before 1440. Might Guaynerius have been the Voynich Manuscript’s author? The raw electricity of the possibility surged up and down her, like lightning trying vainly to reach ground. But… even if the idea just happened to be consistent with the radiocarbon dating, nothing that speculative could be true, it was all some spooky coincidence. It had to be, right?

Against her will, Jena was starting to get just a little freaked out. If any of this was even remotely right, the guy Nate must be some kind of idiot savant, unable to tie his shoelaces but able to read the frickin’ Voynich Manuscript. She sneaked a sly glance at his shoes: slip-on Vans. As if I couldn’t guess, she thought. “Does your friend actually know Latin?”, she asked as casually as her quickening pulse would allow.

“Latin?” the lanky guy replied. “He’s always seemed happier talking in Python or C++ than English. But anyway, what is that crazy shit alphabet on your back?”

“Oh, it’s from the Voynich Manuscript, a kind of weird cipher mystery thing”, she said in the best noncommittal voice she could muster. “But I think I’d better show your man the next line down, see if he can read that too.”

She moved down to the startup guys’ table, and turned to face away from them. Down went the already skimpy silver lamé pole dancing underwear an extra two inches to reveal the only line of red writing in the whole of the VMs. Way back in her Voynich research days, she’d often wondered whether this might be the single line that would some day serve to crack its cipher system. So what would Asperger’s Nate make of it?

“It’s a beautiful thing”, the Odd Guy mumbled. “But I can’t make out the first word, may I move closer, Miss?”

“Uhhh… sure”, she said.

Nate moved right up close, and ran his index finger tenderly over the red letters with a kind of Braille-reading intensity. Instantly, her long-submerged memories of holding the Voynich Manuscript at the Beinecke Library surfaced, and exploded in the physicality of his touch. For that moment, her skin was the Voynich’s vellum, her tattoo was the Voynich’s ink, and she felt utterly entangled in time and space with the Voynich’s author (whoever he or she happened to be).

But… then Jena noticed out the corner of her eye that all the other startup guys were taking out their wallets, placing hundred dollar bills into a pile on the table, and shaking their heads.

“Sorry”, said Nate in a completely different (and totally normal) voice as he stood up, “I can’t make it out, Miss.”

“Hey…”, said Jena as each of the guys high-fived Nate, “what’s going on here?”

One of the group’s regulars, a bald-headed guy with comedy glasses – perhaps the in-house web designer?, she wondered – was laughing into his hand. “Sorry, Jena, it was just a joke. Nate bet us a hundred bucks each he’d get inside your panties tonight, and we all thought he had precisely zero chance.”

“You did this for money?” Jena spat at Nate. “You made a fool of my ass to make yourself some freakin’ money?”

“Oh no”, said Nate handing her the cash, “the money’s for you. These guys work for me, I just enjoyed the challenge. When Larry” – he pointed at the bald-headed guy – “showed me a picture of you on his cameraphone, I thought you looked cute, and – you know – one thing led to another.”

“But all that Antonius Guaynerius stuff”, Jena spluttered, “how on earth did you…”

“Ah, all your old postings to the Voynich mailing list are still online”, Nate smiled. “Didn’t take long to find something to bait the line.”

“You bastard”, Jena said sotto voce, “you… smart bastard” – but this time she could feel her eyes twinkling, for the first time in a couple of years. “You… gonna come back soon?”

“I think I will”, said Nate. “I rather like the view from this table.”

All of a sudden, Jena fancied doing some problem-solving herself.

Sometimes you read a book by an author still finding their writing feet: lively ideas, but clunky characterization and occasional phrases that make you blink and read them a second time for all the wrong reasons. So it is with Glenn Cooper’s “Library of the Dead”, with its anti-(ish)-hero Will Piper, the FBI’s soon-to-retire forensic profiling star: if you bear all those first-novel-nerves in mind, you’ll probably enjoy the book. Having said that, easily the worst-turned phrase of the book comes on page 93:

He studied the annals of sex crime sedulously…

Is there a spelling mistake in there? It had me completely foxed, but perhaps you’re wise to all that. 😉

With “write what you know” apparently ringing loudly in his ears, Brad Kelln constructed his fictional protagonist Jake Tunnel to be, just like him, a Nova Scotia-based psychologist (and is Kelln married with young kids too? Almost certainly). But probably unlike Kelln, Tunnel’s best friend at college Benicio Valori constantly globetrots on behalf of the Vatican’s Congregation for the Doctrine of the Faith on the lookout for claimed miracles, in a very Gabriel-Byrne-in-Stigmata (1999) kind of way.

Hence when an autistic boy on a primary school tour of the Beinecke Rare Books & Manuscripts Library is shown the Voynich Manuscript in a permanent glass display case [this never actually happens, but never mind] and is miraculously able to read it, Benicio is sent by the CDF’s morally-suspect-yet-self-harmingly-devout Cardinal Espinosa to check it out. Once again, all very Alfred-Molina-in-The-Da-Vinci-Code (2006), though of course this is no more than a slightly updated version of the centuries-old ‘wicked Jesuit’ trope for whom the (holy) end always justifies the (unholy) means. Oh, and the autistic kid is pretty much Simon Lynch in Mercury Rising (1998), who goes on a similarly mad road trip with Bruce Willis. La-di-da.

Rapidly, the boy is revealed to be the last of the Nephilim, a race of (what X-Files scriptwriters would term) ‘human-alien genetic hybrids’ fleetingtly mentioned in the Bible and about which Erich von Däniken has spent the majority of his life writing phantasmagorically imaginative historical nonsense. And hence the Voynich Manuscript is revealed to be the Nephilim Bible, a document so earth-shattering it would Rock The Very Foundations Of The Church If Anyone Were To Read It And Reveal Its Secrets etc.

Complicating the plot are Shemhazai and Azazel, the two cursed ‘Grigori’ aliens / angels who landed on Earth seventy generations ago and whose intergalactic miscegenatory misdeeds quite literally spawned all this trouble. Despite having awesomely glowing megatronic powers, the pair mooches around the book, languidly chasing after Benicio and the boy in an almost Rastafari laid-back stylee. And complicating the matter yet further are the CDF’s dysfunctional twin thugs Maury and Jeremy, who are also tasked with chasing after the protagonists.

Kelln’s book covers a lot of ground and tells its story briskly, but I couldn’t help but feel a bit cheated by it in two main ways. Firstly, even though it’s written by a hard-working forensic psychologist, none of the characters presents any noticeable character depth or development: sure, they move around the board rapidly enough, but they basically remain Ship, Boot, Dog, Iron, Hat, and Car for the duration of the game. Secondly, there are so many parallels between “In Tongues of the Dead” and Kevin Smith’s thoroughly enjoyable (1999) film Dogma that it’s hard not to see Kelln’s book as a dourly humourless anagram of the latter. For example, Shemhazai and Azazel are basically Bartleby (also a Grigori) and Loki crossed with Jay and Silent Bob; Maury and Jeremy are basically the Stygian Triplets; Metatron and Bethany Sloane are basically Harold Grower and Jake Tunnel; and so on.

As you can probably tell, I’m getting a huge screenplays-circa-1999 buzz off Kelln’s book, and not in a particularly good way: ultimately, it seems like he has fallen into the old trap of writing not about what you know, but about what you have seen at the movies. Brad writes perfectly well – but given that he’s a psychologist, where did all the psychology end up? 🙁

[Here are links to chapters 1, 2, 3, 4, and 5. Enjoy!]

* * * * * * *

Chapter 3 – “Unjust Desserts”

“I suppose you just happened to pick this up at a rummage sale?”, said Emm, minutely scrutinizing the jacket’s material through her Swiss army knife’s magnifying glass.

“No, it was my grandfather’s – Mani Harvitz, he was a WWI codebreaker. He knew John Manly well, so must have known all about the Voynich Manuscript, I guess.”

“Hmmm… so why’s it in such good condition?”

“Ah”, said Graydon as he leaned over to pick up his club sandwich, “there’s a family story. On the boat back to the US from some European trip in the late 1920s, my grandpa fell seriously ill – and that turned out to be the tail end of the whole encephalitis lethargica epidemic.”

“Oh my God”, said Emm appalled, “the whole Oliver Sacks ‘Awakenings‘ thing, right?”

“Right. My grandfather stayed in a kind of catatonic state for decades – he died before I was born. Somehow I ended up inheriting his favourite jacket.”

Emm paused, looking at him through narrowed eyes, furious mental calculations plainly rattling through her head. The moment she turned her magnified gaze around to the small piece of parchment. Graydon stuffed an ungraciously large lump of sandwich into his mouth, trying hard not to moan with pleasure at his accelerated relief from starvation.

“Well, at least we know what he was doing”, Emm said, her shoulders relaxing a little as she began to take off her white cotton gloves.

“Errrm… which was… what?” Graydon replied, trying hard not to open his overfilled mouth too widely.

“For a start, he was visiting the Knihovna národního muzea v Praze – the Czech National Library, you can tell from the handwritten shelfmark. And here’s the giveaway he was stealing this”, she continued, pointing at the vellum’s left hand side , “the clean edge where Mani cut it out – probably with a smuggled-in razor blade – before stashing it in his secret pocket.”

 “Jeez, so now I’m on a lunch date with Gil Grissom. Did you happen to notice any anomalous beetle larvae?”

“You ate your sandwich first, you tell me. Was the salad unusually… crunchy?”

But now it was Graydon’s turn to go vague and starry-eyed, triggered by a cascade of half-memories from his capacious mental warehouse of Voynich trivia. “I reckon the connection here is… Edith Rickert. See, my grandpa had had this massive crush on her from the codebreaking office, but she was utterly devoted to working with John Manly and so turned him down: basically, Mani got married on the rebound. I went through Rickert’s letters in the archives: the last one from him promised to travel up and show her something she’d be very interested in. Didn’t say what it was, though.”

“So, if Edith Rickert was into the Voynich…”

“Way back then, Wilfrid Voynich called it his ‘Roger Bacon Manuscript’, but I don’t think she was ever fooled.”

“OK, whatever the damn manuscript was called, it seems pretty likely to me that the thing hidden in this jacket was a Voynich-related fragment your grandpa stole from the Czech museum library to try to impress Rickert.”  Emm said as she finally reached over to her plate. “You know, exciting her mind to get her into bed.”

“People do recommend that, but honestly, it’s never worked for me yet”, said Graydon. “Personally, I tend to find a nice lunch far more effective.”

Emm laughed, nearly choking on her sandwich, before frowning and pointing an accusatory finger at him. “Don’t you get any ideas – it would take much more than a club sandwich to get me into bed.”

“Whatever you say, Scully. Oh, the desserts here are pretty good, by the way.”

“Cheeky bastard!”

“And you’d definitely have to promise not to wear those cotton gloves”, continued Graydon grinning. “That would be wrong on so many levels.”

“Well, as long as I get to keep my magnifying glass and ruler, though.”

“Cheeky bastard!”

They both paused awkwardly, eyes scanning the other, resolutely reading between each other’s lines.

“Look”, said Emm as she began putting her things back into her clutch bag, “I’ve… I’ve got to get back to work now, before Mrs Kurtz starts punching the film crew. Could turn ugly.”

“That’s good”, said Graydon, noticing that even he didn’t believe the sound of his own words. “Ummm… thanks for dismantling my jacket and giving me a whole new research lead. Might even save my PhD. Oh, and I’d be very happy to help you with your cleaning, any time.”

“That’s great”, she replied, but her face was looking away as she stood up to leave. “Anyway, the Voynich film crew are filming an interview with Marina Lyonne this afternoon, I guess you probably know her, right?”

Graydon’s face dropped faster than a Wile E. Coyote grand piano. “Yeah, I know her”.

Ouch-a-rama.

His Voynich über-skeptic ex-wife was in town.

Oh, Marina, Marina, Marina: she knew the Beinecke curators very well – far too well, in fact  and she had a score of scores to settle with him. And this was more than just a bad moment for her to turn up wielding her +10 Axe of Grudgery, this was surely the worst imaginable moment.

Whoever said “one step forward, two steps back” was surely wearing X-ray specs, looking at the workings of the heart…

[Here are links to chapters 1, 2, 3, 4, and 5. Enjoy!]

* * * * * * *

Chapter 2 – “Game On”

Vivid dreams of a towering manuscript library on fire: the Renaissance inks and paints boil, become gas and swirl upwards into an angry elemental wind, textual spirits entombed for centuries but now set free to roam the atmosphere, their haunting transmuted into a gigantic elemental pall above New Haven, a Jovian minium spot written upon the Earth’s skies, a full stop in the book of the sky for many-parsec-distant alien telescopes to read…

“Hey, Mr Graydon Harvitz! I nearly didn’t recognize you!”

He started from his mid-day café reverie, nearly knocking his second half-cold latte over onto the sprawl of Voynich Manuscript scans as he half-rose, no less surprised by the sensation of his newly-shaven chin on his fingertips than by Emm’s voice.

“Yeah, well, what with my committee appearance coming up, it was time I cleaned up my act. A bit, anyway.”

Emm reached over to his shoulder, her long fingers swiftly transcribing the diagonal weft and weave of his grandfather’s ancient twill jacket, one of the few things Graydon had inherited. She paused for a second longer than he expected, reading the material’s texture as if it were a familiar book, her eyes briefly absent from the room. “Ah”, she said, “you like antiques as well”.

“When history surrounds you, you can’t really avoid it”, he replied grimly. But the truth was, he wore it in a superstitious half-hope that his grandfather’s whisky-soaked ghost might lend a hand on those occasions when he particularly lacked cryptographic inspiration. Which had been… most of the time this last few months. “Hungry?”

“As a horse – any protein-rich House Specials on today?”

“Naah”, he replied, “it’s all carbohydrates à la mode. But their Club Sandwich is pretty good.”

“Good call!”, she smiled, “I’ll be the hunter-gatherer, back in a minute…”

Graydon watched with no little curiosity as she lightly sashayed across to the counter, attracting both jealous and covetous eyeballs from the other customers as she went. Yet… even though Graydon had survived his epic (and admittedly much-delayed) battle with the razor this morning, he still felt like nothing whereas Emm really was something: where was the balance in the equation? What was in it for her? And moreover…

“What exactly does a cleaner do?” he asked as she carefully squeezed a fresh latte and her cappucino into two of the polygonal gaps between the printouts on the table.

“Well… we clean things – old things. Such as your favourite manuscript. The Beinecke’s curators have put off fixing it up for years, but let’s face it, the Voynich does need a bit of TLC, right?”

“I guess so”, he said. “I must admit my heart’s in my mouth every time I have to unfold the rosettes page. On balance, I’d prefer my tombstone not to say ‘the idiot who trashed the VMs‘.”

“Just so you know, sorting it all out is my next job, once ze feelm crew ‘az returned to La Belle France. Their director has already annoyed Mrs Kurtz, so I don’t think they’ll be here long.” She snatched a brief sip of her coffee, looking sideways through the café’s glass front. “Technically, I should just be able to get on with it, but… I’m going to need your help.”

Graydon exhaled relief as a smile rolled across his face. “And there I was thinking it was my eyes you were lusting after.”

“No, it’s your mind, you fool. Ordinary manuscripts are easy to tidy up because everything has its place. But in the case of the Voynich, I’d prefer my tombstone not to say ‘the idiot who wiped the code off the VMs‘. Without knowing what might be hidden where, being a cleaner isn’t such an easy gig.”

“Ordinarily”, he said, leaning forward conspiratorially, “I’d be a sucker for a beautiful woman so blatantly calling me to adventure, but… I also have the not-entirely-small issue of a ticking clock and a funding gun pointed at my head. And it’ll probably be no big surprise to you that my work on the manuscript is not quite as advanced as had been hoped.”

“So… is that a yes or a no?”

“Actually, as with everything else with the Voynich, it’s an ‘I-don’t-yet-know‘. I need to figure out in my mind whether hanging out with a supermodel doing cool codicology is worth risking my PhD for.”

“OK, no problem”, Emm said, quickly resting her forehead forwards onto her hand. Despite the amused self-deprecating smile on her face, Graydon could not help but notice a wave of stress flash through her eyes. “Maybe it’s not an either-or thing. Anyway, I’m just dying to ask you – what is that bulge in your pocket?”

“Jeez”, Graydon gagged,”what finishing school did you go to?”

“No”, she sighed, “not your pants, your jacket. If – as I’m pretty sure – it’s pre-1950, it really shouldn’t have a purely decorative pocket on the front. So… what’s it for?”

Graydon looked down at it as an oddly restrained silence fell over him: even though he’d worn his grandfather’s jacket countless times, he realised that he’d never properly looked at it before.

“Come on, then, pass it over”, she hustled, getting out a pair of white cotton gloves, a small ruler and a tiny flashlight from her Biba chainmail clutch bag. “I’ll have a closer look. Do you have a cameraphone?”

“Errr… yes I do”, he said, taking his Nokia out of the jacket as he passed it over the table to Emm, her eyes alive with the detail. “Though, I haven’t actually used it yet.”

“Here’s your chance to learn. You’ll need to photograph this seam here before and after I cut the thread, so I can restore it later.” Shining her light on the top seam with the ruler placed alongside it, she waited impatiently while Graydon haltingly navigated through the phone’s Byzantine user interface all the way to its camera submenu. At the clatter of the fake shutter sound effect, she lurched into action, selecting a microscopic pair of scissors from a diamante-studded Swiss army knife. One deft snip later, she was tweezing out the single long thread that had fastened the top edge in place for God-knows how many decades.

“Keep photographing, Gray… yup, we’ve got a hot one for you, Penny…”

The waiter arrived with their Club sandwiches, but Graydon slid them to one side of the table: for all their previous hunger, suddenly neither had any appetite for food at all.

At first, all they could see was a sliver of a pale brown edge: but this grew one tiny fraction at a time until Emm had finally pulled out a small scrap of aged parchment, covered in fingerprints and dirt. At its top was an inventory reference written in a mid-Victorian European copperplate hand – but in the centre there was an 8×8 table of unusual letters.

Up until now, these curious letter-forms had – for all their study – been unique to a single historical document.

But not now.

Unmistakeably – incredibly – the grid contained letters from the Voynich Manuscript.

“Game on!”, moaned Graydon, shaking his head in disbelief. “Game on!”

“Wow”, gasped Emm, her mouth dry with the tension, “even I didn’t really think codicology could beat sex.”

“But… maybe it’s not an either-or thing?”

“Can you stop being so goddamn Voynich?” Dan shouted down the phone at her continued silence. “I’m sick of reading between your lines, playing guess-what-Marie-means like our whole off-line life is some afternoon quiz show. Since our shared New Haven hajj, you’ve been no fun – zero fun – and all I’m getting from you are stupid little clues that even the Cipher Mysteries guy wouldn’t be able to spin into a story. So… what’s the goddamn deal, Em?

Across the Skypey quiet, he could hear her breathing tighten, hear her holding her head in her head, even hear her throat quiver with the tension. And then: “Jeez, Danski,” she lurched, “I feel like… like… that whole Quire 13 thing.”

“What, floating in a pool that can’t decide whether it’s green or blue?”

“No, damnit, like… like I’ve been turned inside out and… had a second creation phase added… similar but distinctly different from the first phase.”

“Christ”, Dan choked, “that makes me…”

“Yes, second phase co-author. And the scans say… it’s going to be a girl. Our girl!”

Now here’s something that doesn’t pop up every day: ex-Mormon cipher fiction. In “Latter-Day Cipher“, Latayne C. Scott has crafted quite an interesting piece of work, combining the US police procedural genre (where in this case the main protagonist is a female journalist parachuted in from outside) with a kind of veil-lifting piece on the inner workings of the Mormon Church. It’s populated by a cast of characters so tortured by their own doubts about the, let’s say, veridicality of the gospels, history, and practices of the Church of Latter Day Saints (‘LDS’) that they behave in extreme ways (thus driving the plot), with some of them leading double lives.

The “cipher” of the book’s title doesn’t refer to our old favourite the Anthon Transcript: rather, the notes left with the (near-inevitable) series of dead bodies are written in the Deseret Alphabet, a late 19th century phonetic alphabet constructed at the University of Deseret (which morphed into the University of Utah – “Deseret” is a term supposedly used in the Book of Mormon to denote “honeybee”, and in fact Utah’s state symbol is still a beehive) to help immigrants learn English quickly and reliably. The real thing looks like this (from 1868, courtesy of Wikipedia), which begins “W-u-n / ah-v / thee / w-u-r-s-t…”)

Sample Deseret text from 1868

Given that this is a phonetic alphabet, and only one of the Deseret Alphabet notes in “Latter-Day Cipher” is written in a slightly encrypted way (I don’t think it’s a huge spoiler to say that it’s phonetic Spanish), Scott’s book isn’t really historical cipher fiction per se. But all the same, she’s clearly achieved her writing aims, and her story moves along briskly. She paints pictures of the troubled internal dynamics of people wobbling either side of the edge of the Mormon doctrinal line, interleaving its contradictory paradoxes (polygamy, racial purity, blood atonement, etc) with a ticking bomb and lines from Tennyson and T.S.Eliot.

With all these different themes running through it, you may well ask, is “Latter-Day Cipher” any good? Well, yes it is, actually. It would probably help if you knew a (very) little about the whole Mormon thing beforehand, but I do so enjoy getting to read nicely-written novels that aren’t all testosterone, flashy editing and world-renowned Harvard academics solving historical ciphers at gunpoint. Enjoy!

PS: in the great pantheon of literary attacks on the LDS, this is no more than a fly bouncing off an almost entirely indifferent whale, and I somehow doubt that it will manage to steer a single person away from the LDS’ comforting weltanschauung bosom. Still, wouldn’t it be awesome if South Park was right, and God is a Buddhist presiding over a Mormon-only heaven? Ummm… probably! 🙂

I hate to admit it, but Brett King’s new book “The Radix” has very nearly pushed me over the edge as far as Voynich-themed novels go. OK, if you like your cipher mystery fiction spiced up with implausibly steel-chinned Secret Government Agency action heroes with PhD-level history credentials and who the US President just happens to owe a favour (basically Cotton Malone or Daniel Knox on overdrive), then maybe you’d like it. M-a-y-b-e. But if not, I strongly suspect you won’t, sorry.

It’s completely true that Dan Brown’s books leave me wanting to shoot the fumblingly-drawn main protagonists by the end of Chapter One, all the secondary characters by the end of Chapter Two, and the publisher by the end of Chapter Three (given that I see Dan as closer to Gavin Menzies than to Machiavelli, I’d rather cut his hands off than shoot him): and compared to that particular cultural nadir, I’m delighted to say that The Radix is at least reasonably well written. But all the same, I can’t think of a single book where I so badly wanted the bad guys – in this instance, Renaissance conspiracy fans, the evil Borgias’ evil descendants (did I mention they were evil?) – to kick John Brynstone (King’s hero)’s unbelievably buff butt down the road to Hell so very quickly (specifically, by page 17).

But then I thought, hold on a mo’… could it be that “The Radix” is actually some kind of postmodern-ish reversal-of-expectations gag – by which I mean, did King consciously make the protagonist so unlikeable, so implausible, and so unsexy because he wanted the bad guys to be, ummm, the good guys? Historically, it’s true that (for example) Lucrezia Borgia has been demonized for so long that even now it’s desperately hard for historians (even Sarah Bradford in her 2004 biography of Lucrezia, which I’m still halfway through) to untie every Borgia-damning knot that partisan writers have tied over the centuries: so could it be that King’s novel is merely Part I of some bizarre rehabilitatory Borgia anti-history?

Achhhhh… try as I might, I can’t really believe that King has a uber-revisionist angle in mind, given that his “Radix” is so close in spirit to a comic-book escapade (and not one of dear Alan Moore’s sardonic club-sandwich plots, with a beard-hair delight in each multi-layered bite) crossed with an airport novella, with John Brynstone so utterly 2d that his action sequences practically jerk from static box to static box. All of which makes it perfect for a Jason Statham vehicle for 2011, then? Alas, yes – which alone is probably a damn good reason why the film-of-the-book shouldn’t be made. Despite King’s agent’s best attempts, let’s all just hope divine justice prevails, shall we?

Though “The Radix” has doubtless been pitched at the cipher mystery beach brigade, my worthless personal opinion is that Cipher Mysteries readers looking for 2010 summer holiday fiction should instead plump for Enrique Joven’s completely antithetical “The Book of God and Physics: a Novel of the Voynich Mystery”, which manages to tell its own Voynich-themed story with nary a jutting jaw or a laws-of-physics-defying stunt. Of course, please feel free to read both and tell me if I’m just plain wrong – comment below, I don’t mind. 🙂

When you have a hobby as intricate and time-consuming as cipher mysteries, once in a while it’s rather nice to get away from it. And so for a bit of low-key escapism, I settled down the other day to watch Roman Polanski’s recent film “The Ghostwriter” (based on Robert Harris’ novel). This stars Ewan McGregor as a ghostwriter drafted in to a remote island somewhere off New Old Haven to tidy up the memoirs of a recently-retired (and rather stressed) British Prime Minister. The film’s conceit is that the ghostwriter of the title preceded McGregor, who in fact does a rather dippy job of rehashing his work, only realising too late the dark secrets found (and hidden in plain sight) by that first ghostwriter.

Which, of course, means…  aaaaaaargh! Polanski’s last reel turns “The Ghostwriter” into a cipher mysteries film! Be warned – there is no escape from cipher mysteries these days, they’re everywhere! =:-o