Hillary Raimo has something big to smile about: a few weeks ago she got to spend some time with the Voynich Manuscript (assuming those Beinecke curators didn’t cheekily swap it for Klaus Schmeh’s prop version), taking 600 photos in preparation for writing an article to be published in a French magazine in 2014:-

hillary-raimo-at-the-beinecke-cropped

She has also been adding Voynich-related articles to her blog The Yin Factor, including a new one that explains her idea of how the Voynich Manuscript is tied in with the Dogon tribe’s ‘Nommo’ gods. In case you don’t know, the Nommo are hermaphrodite amphibians from the binary star Sirius, giving them “the best of both worlds” in just about every permutation of the phrase.

She starts her piece with a long quote from Jason King’s “The Cannabible III” (summarizing the whole Dogon / Sirius mythology thing popularized in Robert Temple’s (1976) The Sirius Mystery). However, her view goes much further: that the manuscript “traces the star map of human origins. Through the plants harvested from them.” Essentially, she thinks that naturally occurring DMT (Dimethyltryptamine) in cannabis was brought here from Sirius (along with the human race), and that the Voynich Manuscript is one of the documents that can magnificently reconnect us to the raw ancestral (and interstellar) reality we moderns are so divorced from.

Raimo is also fascinated by the apparent occurrence of the Pleiades in the Voynich Manuscript (on f68r3), a featurette that has already inspired several generations of Voynich theorists (perhaps most notably Robert Teague, P. Han, etc), though this doesn’t seem to be anything to do with Sirius. (Incidentally, the Voynich-Pleiades connection also has a modern fan-base in the form of Wayne Herschel, Michelle L. Hanks, etc.)

Of course, there may be some problems here both with Raimo’s evidence and with her conclusions.

If I were a rich junkie burning my way through an inheritance and I really, really wanted to know where to find a type of cannabis that had a natural lychee and guava aftertaste, The Cannabible series of books is probably the first place I’d go. However, as a source of historical information it seems decidedly unsatisfactory, particularly where it credulously quotes Robert Temple’s work on the Dogon tribe.

Moreover, my own opinion on Temple’s book on the Dogon is that it is an historical crock, based as it is upon Marcel Griaule’s ethnologically crocked research. And if you want a good summary of why that was crocked, I suggest you read Michael Heiser’s long-ish 2011 web-page on the subject.

Do I therefore think that there is the remotest possibility that there is a star map of the Nommo-esque origins of the human race / cannabis hidden in the Voynich Manuscript? Errrm… no, not really, sorry. But please feel free to form your own opinion.

So there’s this really old manuscript, it’s in Harvard or M.I.T., and it was discovered in 1812 (though Wikipedia says “1712”) by Wilfrid Voynitch who like doesn’t even know his own name because my spell-checker keeps suggesting “Wilfred” and that’s like totes annoying when you’re trying to tweet with predictive texting and that. So I don’t trust him, and he was a chemist and invented LSD or maybe Spanish fly while he was still young: and he really could have forged the manuscript because he had a moustache and that’s always like an awesomely bad sign in films, almost as bad as a British accent. But he couldn’t have don’t that because he didn’t even know his own name so was like completely stupid or something.

And people think the manuscript is really shocking ancient wisdom or alien DNA technology from the future but we’ll have to wait for the right person to time-travel back from meeting Roger Bacon in the past before we can read it. In fact, all the TV documentaries on the Voynitch manuscript start voice-over sentences with “Could it be that…” which is film-maker code that means that they know the real answers for sure but have been paid off with premium bond money not to tell.

Of course, it’s in code AND cipher AND shorthand AND microdots AND invisible ink AND tattooed on a slave-girl’s shaved head, and it’s secretly in a lost language that only alchemists can speak when they’re really, really close to creating the Philosopher’s Stonewashed Jeans and high on ergot and caffeinated beverages and fluoride, which are all poisons that completely surrounds us, there’s a whole alt.science newsgroup about that, everyone knows that the government scientists cover it up, worse than the cigarette makers. As if we can’t see through their lies, they’re so stupid, haha.

And anyone who says that Leonardo da Vinci wrote the manuscript is like so totally right, if you look at his notebooks there’s a helicopter and a bicycle and a T-1000 default form and he was writing in like mirror writing but he wasn’t using a mirror because they hadn’t been invented yet, duh. But it can’t actually have been Leonardo because there’s like lots of pictures of naked women in it and he was a gay vegetarian genius or something and that would have messed with his mind too much so he would have like imploded instantly.

But the real problem is that nobody wants to solve the Voynitch because it’s too much fun just pushing the numbers around and drawing graphs and infographics and stuff and they’re like getting paid by the hour by the CIA not to solve it so the economics are giving them the wrong financial incentive. Which means that they’re all getting rich on the back of us ordinary Internet surfers, especially that Cipher Mysteries guy who has like a Rolls Royce just for driving the mile down the drive to the gate of his mansion. He’s so rich, he pays the xkcd guy to draw stuff badly so nobody believes him when he tells the truth about stuff.

So I kind of met this guy on a mailing list who had solved the Voynitch and was about to publish his solution on the Internet but like the Men In Black burnt his house down and reduced him to a quivering empty shell of his former self, just like he was on crystal meth, except he swore he wasn’t (and I believe him). Worst thing is that they hypnotized him so that he couldn’t say the letter ‘c’ and it turns out that that is really important to the Voynitch’s secret secrets – people keep calling it the “Voynich Manuscript” but that’s because they can’t spell and that’s basically really annoying and stuff.

And anyway it turns out the answers are all in the Vatican Secret Archives which aren’t really “secret” they’re just called that to distract attention from the real secret archives which are in a bomb-proof basement two miles underneath Fatima in Portugal. But the really important stuff they put in the Secret Archives because nobody who knows how it all really works would think to look there, so it’s a huge double-bluff. The Catholic Church has been like that since 760 B.C., apparently they had to invent Christ because they had started 760 years Before something important beginning with “C” and the only word they could think of back then was “Christ”. And all the secrets of the early church are written in the Voynitch manuscript because that’s exactly where you’d hide something so dangerous it could bring the whole Church down. And that would cause real continuity problems for when TV repeat old episodes of the Simpsons with Ned Flanders in.

Only problem is that the Voynich is all definitely a hoax because if you have the right set of tables it has been scientifically proved you can write sentences that look just like peer-reviewed science, and then people will fund you to write whatever nonsense you fancy about anything you like. A bit like how Leonardo got paid to sit around and design butch-looking techno weapons even though he was a pacifist and the contradiction might make his brain explode. People don’t understand that the Voynitch is all about plant RNA and stimulating harmonics in your brain waves, you try reading it out loud you might become a genius or your own head might explode too just like Leonardo’s nearly did, nobody knows, that’s why it’s so dangerous and kept under wraps by the WTO.

And anyway, all the really powerful pages have already been removed, they’re been stored for safe keeping inside the Ark of the Covenant which is for real in a warehouse on the Isle of Wight. Nobody realises that the Indiana Jones warehouse thing was filmed in the actual place itself, they’re just laughing at us and we’ll never know because they have a Black Team removing all the good stuff from the archives just as we get close to seeing it, so we only get to see details that don’t make any sense.

Newly arrived Voynich theorists Giuseppe Fallacara and Ubaldo Occhinegro will be holding their book launch at the European Parliament in Brussels tomorrow (4th December 2013, 6pm, room ASP 5G2 if you just happen to be nearby).

They’ve even managed to bring Roberto Giacobbo, the hugely well-known (and much-parodied) guy from long-running TV history / pseudohistory documentary series Voyager on Italian channel Rai 2 along to the presentation to give his thoughts, along with MEP Sergio Silvestris, no doubt somewhat delighted that anyone outside of Brussels remembers that he has a pulse. Cipher Mysteries readers with sad photographic memories for trivia may recall that it was Giacobbo’s Voyager programme who busted the infamous “John Titor” time-traveller hoax waaaay back in 2008. Though not everything on Voyager has managed to reach the same level of factual accuracy and careful research, if its many critics are even partially to be believed.

As far as I can tell, what the two Italian Voynich authors will be demonstrating is that the Castel del Monte was not only an incomplete Imperial hunting lodge (as if anything so obvious could be the case, pshaw!), but also a planned fantastic herbal laboratory (of sorts) for gaining eternal life, via Voynich-style spagyric alchemy. It’s true that they seem a little bit wobbly as far as physical history (Roger Bacon? Hmmm) / codicology (what?) / art history (where?) goes – frankly, their Voynich theory seems to be all about architecture and nothing else – but that’s probably entirely par for the course. Perhaps they’ll have something genuinely interesting and insightful to say about the Voynich Manuscript I’m not expecting… anything’s possible, I guess.

The nicest thing of all is that they plan to stream the whole event live-and-direct to we far-away denizens of the Whole Wide World via their shiny website www.castello-manoscritto.it. So there’s still time to get a refund on that EasyJet flight to Belgium you just booked for tomorrow, because you can watch the whole thing at your PC or Mac, perhaps even in your dressing gown (depending on your timezone relative to 18:00 Central European Time).

I doubt they’ll allow questions from the (virtual) wings, though… it all looks that bit too fragile to stand up to proper scrutiny. I’m sure you’re way ahead of me already as far as what questions they’d find hard to answer (i.e. why does the Voynich’s cryptography so resemble ciphers made 150 years after the dates you’re talking about? etc), so I won’t list them here. 😉

Will I be in Brussels tomorrow? Well, not unless a CIA black team descends on Cipher Mysteries Mansion and some kind of extraordinary rendition thing happens (and it’s reassuring to that know the rules have changed so that I wouldn’t now get tortured in the process). However, my best guess is that no three-letter agency (or even honorary members GCHQ) is currently sufficiently bothered about the Voynich Manuscript to do that. But all being well, I’l doubtless try to stream it. Hopefully that will be as close as I need to get! 🙂

Here’s a list of the various Voynich facsimile editions that have been (or are still) actually in print and that I’ve heard about to date. Maybe you can buy them, maybe you can’t: but here’s everything I know, make of it all what you will.

Oh, and don’t get me started on Yale’s CopyFlo print, that was a purely monochrome edition that was really quite painful to work with: you basically had to simultaneously read the colour annotations in the interlinear transcription and imagine the details in the appropriate colour… which was neither effective nor useful. Thankfully that’s (very) ancient history now!

Also, if anyone passing has bought a copy of any of these apart from “Le Code Voynich”, please leave a comment here as to what you thought of it. People often ask me for a recommendation for a good Voynich facsimile edition, but don’t seem to grasp that these days review copies of anything are as rare as hen’s gold-capped false teeth… hence I don’t normally get to see any first hand.

* * * * * * * *

(1) Le Code Voynich – Jean-Claude Gawsewitch

The grand-daddy of the current generation: prefaced by a long (and fairly pointless) recap of the Voynich Manuscript’s history in French. Lots of image cropping: apparently conceived as a coffee table book rather than a facsimile edition. But very useful for Voynich researchers none the less (David Kahn was delighted by my copy, and wanted one for his own crypto library), if you happen to have bought your copy five years ago (when it was affordable – I think my last car ended up being worth less than what people currently sell copies of this for).

Binding: hardcover
Pages: 240 pages
Editeur : JC Gawsewitch Editeur (27 octobre 2005)
Collection : BEAU LIV LUX
Language: French
ISBN-10: 2350130223
ISBN-13: 978-2350130224
Size: 30.8cm x 26.8cm x 2.4cm

Price: out of print, 7 used copies currently on sale from 299 euros upwards (!!!)

(2) Le Voynich

Broché : 240 pages couleur.
Editeur : Editions HADES
Langue : Français
ISBN-13 : 9791092128031
http://www.hadeseditions.com/Le-Voynich
Price: 49,99 €, now reduced to 29,99 € (plus postage).

(3) VOYNICHŮV RUKOPIS

Publisher: CAD PRESS
ISBN 978-80-88969-60-0 / EAN 9788088969600
Binding: hardcover.
Size: 24cm x 17cm, 448 pages (in Czech, I believe), including a 272-page complete facsimile..
http://www.cadpress.sk/voynichuv_rukopis.htm
Price: 29,00 € reduced to 27,00 € (plus postage).

(4) The Voynich Manuscript – A Facsimile

Editor: David Durand
Publisher: Lulu (print-on-demand)
Pages: 251
Size: 21.59cm wide x 27.94cm tall
Binding: spiral bound
http://www.lulu.com/gb/en/shop/david-durand/the-voynich-manuscript-a-facsimile/paperback/product-20220326.html
Price: £43.66 (plus postage).

(5) El Manuscrito Voynich = The Voynich Manuscript

David G. Walker
Hardcover: 269 pages
Publisher: Editorial Sirio (31 Aug 2013)
Language: Spanish
ISBN-10: 8478089004
ISBN-13: 978-8478089000
Product Dimensions: 1.8cm x 17.8cm x 24.8cm

£26.21 RRP, reduced to £23.20 (plus postage).

(6) The Voynich Manuscript Illustrated: “One of the most mysterious books in the World” [Paperback]

Paperback: 212 pages
Publisher: CreateSpace Independent Publishing Platform (4 Jan 2013)
Language: English
ISBN-10: 1481076701
ISBN-13: 978-1481076708
Product Dimensions: 1.4 x 15 x 22.6 cm
Price: £15.61 + postage on Amazon (RRP £18.74)
Feedback: three reviews on Amazon, all of them bad.

(7) The Voynich Manuscript Project

$199 buys you a classy-looking reproduction of the Voynich Manuscript from Ambush Printing. Or, alternatively, you can buy an 18″ x 24″ print of the nine-rosette foldout sexfolio on vellum quality paper for $24.99: or a 24″ x 36″ print of the nine-rosette foldout for $39.99.
208 pages printed from hi-res scans, and also folded just like the original (“includes 5 double-folio, 3 triple-folio, 1 quadruple-folio, and one giant six page folio”). Printed on vellum-style paper for added realism, hand stitched together, and then “bound with a single piece of handpicked leather to closely match the original Voynich cover”.
http://ambushprinting.squarespace.com/thevoynichmanuscriptproject/

The Castel del Monte is a well-known octagonal fortress in Apulia, constructed in the 13th century for Holy Roman Emperor Frederick II. However, it was never properly finished and ended up being used over the centuries as:
* a state prison;
* somewhere to loot nice bits of marble from; and
* a story location in Umberto Eco’s “The Name of the Rose” (he rechristened his version the ‘Aedificium’). 🙂

Derelict for many years, the Castel was bought by the state in 1876 and subsequently restored (though more or less all the tasty-looking marble bits had been robbed out and scavenged). Nowadays, it’s not really of much consequence unless you happen to be on holiday in South-Eastern Italy and want something nice to look at. It is what it is, which is actually not nearly as much as people once hoped that it was.

But now possibly a brand new (and perhaps architecturally esoteric) chapter in its life has begun. Giuseppe Fallacara and Ubaldo Occhinegro have just had a book published by Gangemi Editore SpA, with the title Manoscritto Voynich e Castel del Monte. Yes, it’s a brand new Voynich theory.

What they seem to be proposing is that some of the Voynich Manuscript’s more architectural-style drawings (particularly the nine-rosette fold-out page, but also various others in the astronomical section, as I understand it) encode sort-of-plans for building the Castel del Monte, and include all kinds of mysterious and little-known plumbing details – “pipes, tubes, channels, cisterns, showers and fireplaces” etc – once present or nearly-present in its construction.

Well… it is certainly true that the design of this little castle was constructed with water management strongly in mind: there was a large cistern sunk in the rock immediately beneath the central courtyard, and tanks for capturing rainwater in some of the eight towers. There was also a (presumably substantial, but now lost) octagonal basin in the middle of the courtyard, briefly mentioned in the Castel’s official webpage.

And so I can certainly see how someone looking at the Voynich Manuscript’s drawings afresh while tilting their head in just the right way might feel somehow compelled to tease out some kind of parallel between the twin themes of architecture and plumbing that apparently inform both artefacts. But in fact active, central water management was a key part of castle design throughout the Middle Ages – for if you find yourself besieged, you can last for a long time with only a little food, but without plenty of water you will soon die.

I have to say that this sounds like the Castel del Monte could be one of the slimmer resemblances or correlations I’ve seen used to construct a Voynich theory upon or around. But Fallacara’s and Ogginegro’s book includes an English version on facing pages, so hopefully I will get to see their argument in full for myself before very long. At 40 euros plus shipping from Italy, the whooshing sound you might also hear is the vacuum left when the money leaves your wallet. But it does look quite pretty, maybe that’s enough. 🙂

From my small corner of the world, it often seems to me that some things really are not only unexplained, but also just plain inexplicable.

For example: even though the entire world had already learnt from famed transit lounger Edward Snowden that the NSA and GCHQ are silently tapping vast swathes of the Internet and phone traffic, why is it that German Chancellor Angela Merkel is now so utterly aghast to discover that the Americans ‘may’ [*] have also been tapping her mobile? Excuse my impertinence, but does she not actually read the newspapers even slightly?

So you can see the big problem contemporary TV producers face: when matched up against modern mysteries of such massive magnitude and moral moronity, how can shows such as “The Unexplained Files” honestly expect to compete? Ohhhh, I seeeee – I hear you resignedly mumble to yourself – by including a piece on The Voynich Manuscript, that’s how. And, sadly, tragically, awfully, you’d be absolutely right.

Having talked with researchers from “The Unexplained Files” at the beginning of the year, I can honestly say that they trawled really hard to dig up some “alien” angle on the Voynich (its unearthly language, its unworldly herbs, William Romaine Newbold’s pet galaxy, putative telescopic technology, etc) to fit the show’s slack-jawed you-would-see-the-aliens-among-us-if-you-only-opened-your-stupid-dumb-eyes televisual conceit. Fox Mulder would have been so proud. Well, dumbstruck.

We gotta have us some talking heads, Mikey: so on they wheeled Gerry Kennedy and even his Royal Hoaxness Gordon Rugg for our viewing pleasure, along with several single-actor historical micro-mise-en-scènes to visually jolly the grindingly dull narrative along to its inevitable heavy question marks.

But of course, without Big Jim Finn and his Star Trek / Hebrew end-times message, or (my personal favourite) Dan Burisch and his “dangerous information” from the future-via-the-past, their overwhipped soufflé came out flatter than a losing politician’s smile.

If I described their Voynich documentary segment as “less than the sum of its parts”, it would be somewhat misleading: because none of the individual parts amounted to much at all either. Really, it was as if some poor bugger was told to eat the dismal Wikipedia Voynich article a paragraph at a time and then regurgitate it to try to entertain our new grey alien overlords. But with a gun at his or her cringing head.

File under AP (for “Alien Pants”). Or better still, just flee. Not so much “Unexplained Files” as “Inexplicably Commissioned”, sorry. 🙁

[*] weasel word included on the advice of my corporate attorneys, Fitz-Suitswell and Plunderham LLP

Online webcomic “What Don’t You Understand” by Hong Jac Ga (“A pretty strange story about a hitman, a hermit writer, and a boy who loses his memory”, translated by Rachel Ahn) has recently put up a nice Voynich-inspired episode (#24 here).

what-dont-you-understand

It’s not often you have a story with a talking cat and dog trying to train a somewhat unwilling young dark magician: for the purposes of the narrative, the Voynich Manuscript is a kind of repository of impressions, able only to be ‘read’ (or rather ‘sensed’) by someone able to tune in to the original magician’s wavelength.

And I can affirm that there are plenty of people in the real world who truly believe that they can read the Voynich Manuscript in precisely this way, i.e. purely by affinity and/or sense. So perhaps the modern world is just as magical / irrational as it ever was, lurking beneath what is no more than a thin veneer of 21st century logico-positivist supposed hyper-rationality.

Then again, maybe dogs and cats will indeed converse enigmatically long before anyone has cracked the Voynich Manuscript in this kind of way. 😉

Jeremy Robinson’s and Sean Ellis’s latest Jack Sigler novel “Prime” (2013) reveals the origins of the “Chess Team” (their super-secret Delta-of-Deltas best-of-the-best elite US army team, that’s hopefully fictional, or else I’m a dead man in the next 10 minutes 🙂) that rattles along in the other novels in the same series. Here, though, the goodies-vs-superbaddies story plays out against the backdrop of the Voynich Manuscript’s secrets, the origins of the Black Plague, and indeed the ultimate origins of Life on Earth. But with lots of guns.

Thankfully, Robinson gets one over on most of his Voynich fiction competition by finding ways of not inserting too many cut-and-pasted slabs of cod Wikipedia-esque history into his brisk narrative: while another near-first is that the manuscript stays centre-stage throughout the whole book, which is also a nice change from what has become the norm.

Yet… despite all the knowingly-contemporary ironic macho posturing and ultra-weaponry fetishism of the genre, the language of “Prime” used still feels to me like it has been written for 17- or 18-year-olds. You know: relentlessly soul-less super-soldier hyper-gun pr0n, coupled with the run-at-the-camera poisoned-sugar rush of 3d zombie films and the moral one-dimensionality of young adult fiction. And as for the crypto girl’s inner maths-geek monologues… well, best not get me started on something that badly lame.

“Prime” was certainly a quick read, and perhaps if I had previously trawled through the rest of the Chess Team series, I might just have viewed many of the sequences in a different, possibly more nuanced light. But in the end, I’m pretty sure that it is what it is: a Voynich novel that treats the manuscript with reasonable respect (mostly), yet fetishizes and objectifies just about everything else it touches. And with lots of guns.

Basically, if your secret inner you is an 18-year-old kid who thinks that big guns and heroes that are described as looking like “Hugh Jackman[‘s]… film portrayal of the comic book superhero Wolverine” (p.26) are all like totally kewl, while also being a tiny bit of a cipher mystery history geek, then maybe this is the hot book of the year for you. But for the rest of us… maybe not.

Let’s imagine you had two fairly unhealthy (but specific) obsessions: (1) retro jars, bottles and containers, and (2) the Voynich Manuscript. When added together, might these two wrongs somehow make a right?

If that just happens to be a question you have long pondered, then I’m pleased to be able to tell you that your wait is over! The free electronic book Glossodahlia by Tarek Joseph Chemaly, and pulished by 7UPstairs Publishing surely places this whole contentious issue beyond discussion. Tarek writes:-

The Voynich manuscript has been decoded. Its flowers have given up their secret. They speak in tongues – glossolalia. And they tell stories of brokenhearted cosmic lovers and of a retired intergalactic bureaucrat as she tends to her garden once baking is done.

With my Voynich researcher hat on, I’d point out this whole thing feels like a collage scraped from the Beinecke’s old “CopyFlo” images. Also, not all the pages are plants (a couple of pharma jars have crept in as well), and tiny scraps of Voynichese pepper the edges of the collaged images, like hardy barnacles clinging to curiously shaped ships.

Anyway, make of it what you will. 🙂

Online webcomic Sandra And Woo has just taken a detour into CryptoLand, with a Voynich-inspired page called The Book of Woo to celebrate its 500th edition. What’s more, author Oliver Knöerzer (AKA “Kernel River Zoo”) has offered a $250 reward to “the person who is able to provide a decipherment that’s sufficiently close to the plain text“, plus “another $100 to two charities determined by the readers who contributed the most useful information for breaking the code.” Really, Oliver, I’d have helped regardless. 😉

The Book of Woo’s most obvious predecessor would seem to be the Codex Seraphinianus, which is also “primarily a work of art, not a puzzle for the general public“, though I wouldn’t describe the Book of Woo as being quite as hardcore as that (but then again, what is?). The Vick Industries cipher seems to be a more design-oriented mindset entirely, though the art-house rationale behind that has yet to emerge into the light.

How is anyone supposed to decrypt The Book Of Woo? Helpfully, Knöerzer does throw a handful of hints in our path, though mainly about what it isn’t rather than about what it is. He says:-

* The encryption isn’t based on an algorithm only suitable for computers which executes a loop 100 times or something like that.
* The encryption isn’t based on some sort of device or mechanism that is hard to get.
* No “classical” steganographic method was used since that would just be impossibly hard to crack.
* The plain text is some sort of literature, as one can guess from Woo’s comment and the illustrations. A lot of time went into the plain text as well, it’s not just a copy of the first page of Rascal or something like that.

But he also warns that “[if] you think you can simply carry out a frequency analysis on the letters and be able to reconstruct the English or German plain text this way, well, that’s just a waste of time.” Indeed, even a brief look at the text reveals blocks of characters arranged in a very artificial CVCV (consonant-vowel-consonant-vowel) manner. There are also quite a few patterns that are repeated multiple times: here’s a colourized section of the first page, so you can see a bit of what I’m talking about…

book-of-woo-page-1-colourized-cropped

What’s going on here? Well… I’ve had a few brief email exchanges with Oliver recently, so have possibly at least a flicker of an idea. And given that he has already openly flagged both the Voynich Manuscript and my book on it (The Curse of the Voynich) as having been useful (he’s even reused the Voynich’s “T” gallows character in his cipher alphabet), it probably wouldn’t hurt to recap a few Voynich-related observations here. 🙂

The first thing to say about ‘Voynichese’ (the structure that shapes the Voynich Manuscript’s text) is that there seem to be two main schools of thought: (a) that it’s a cipher system that for some reason our statistical toolkits aren’t able to help us much with, and (b) that it’s a real language but we’re too in love with our analyses to see the bleedin’ obvious.

(For the record, I’m in the (a) camp, which means that when I look at a map of all the different types of Voynichese evidence, I want to understand what kind of trick was used to confound all the different statistical tests, rather than throw my hands up in the air and say “Stats, shmats!”.)

The second thing to note is that almost all of the Voynich Manuscript is written using a very compact alphabet (roughly 22 characters), whereas The Book of Woo uses something like fifty unique shapes (I haven’t transcribed it yet, but that’s how it looks). What connects them is that they are both very predictable at the character level… up to a point. That is, in some circumstances you can reliably predict what the next character along is going to be, but in other circumstances predictions can be of little use.

(For what it’s worth, I believe that it is this specific combination of predictability and unpredictability that convinces people that Voynichese is a language, whereas real languages only tend to work like that in a few very specific ways, e.g. “q” almost always being followed by “u”.)

Trying to account for this property ultimately led me to conclude that the Voynich Manuscript in part uses “verbose cipher”, i.e. employing pairs or groups of letters to encipher single letters in a misleading way. For example, the Voynichese letter-pair “or” gets repeated immediately after itself a number of times, with the best known examples being on page f15v:-

or-or-oro-r

Do any real-life languages do this? I don’t think so, but that remains a matter of opinion.

The Voynich Manuscript has a large number of extra curious properties that I believe point to other tricksy mechanisms (e.g. in-page transposition of some sort, if you please), but my suspicion right now (based only on having a nose around it) is that Oliver may have found these unnecessarily abstruse to build a cipher around.

No: I think what’s going on in The Book Of Woo will turn out to be largely based around verbose cipher – specifically a combination of paired letters. Having said that, the big problem with a simple verbose cipher is that it is, well, as verbose as it sounds: and so to make it not bloat as badly as a Microsoft application, it needs some compression tricks to be used at the same time.

In the case of the Voynich Manuscript, I suspect that verbose cipher gets combined with the kind of scribal abbreviation in use during the 15th century. Similarly, because the overall word-length isn’t too extreme for The Book of Woo, I suspect (a) that certain letters used at the start or end of words will encipher prefixes or suffixes, somewhat like a kind of shorthand; and (b) that it’s more likely to be English than German. 😉 It may well also be that certain letter pairs themselves encipher common letter pairs or even letter triples (such as “the”): these are the kinds of tricks I’d expect to see here being used to disguise the structure.

And yet… words seem to be words (i.e. it’s an aristocrat cryptogram rather than a patristocrat cryptogram), so it’s very much as if he wants to help us, not hinder us. So even though it looks a bit tricky at first glance, maybe it will all fall out nicely in the end. We shall see, hopefully before issue #1000! 😉