People have long proposed that the Voynich Manuscript’s Quire 20 (‘Q20’) might be a collection of recipes of some sort. This also suggests that there may well have been an original plaintext block of recipes from which Q20 was derived (though whether as a cipher, shorthand, or curious language it matters not at this stage): but do we stand any chance of identifying the original document?
Actually, we do know quite a lot about Q20: and having thought about these many observations for several years, the inferences I remain most convinced by are:-
(1) that the tails on the paragraph stars are probably hiding ‘y’, short for ‘ytem’ or ‘ybidem’;
(2) that the tail-less paragraph stars on f103r were added in after the event – that is, that f103r was originally written unstarred, but that untailed stars were later added in so that this page blended in better with the others (but I don’t know why, or what this means);
(3) that Q20 was originally formed of two distinct gatherings, with f105r the first page of the first gathering (‘Q20a’) and f116v the last page of the last gathering (‘Q20b’), and as a result we cannot really trust the layout of the bifolios as they have been handed down to us;
(4) that the last paragraph of f116r probably contains some kind of attribution or conclusion – e.g. this book was copied by me on the 4th January 1453 in the town of Milan, from the manuscript lent to me by the painter Giovanni from Verona etc etc 🙂 ;
(5) that even though we currently have between 345 and 347 starred paragraphs and four missing pages (i.e. two missing folios, or rather one missing bifolio), I think – because I’m far from convinced that all the paragraph stars are definitely genuine ‘item’ markers – we have to be very wary about trusting that the number of starred paragraphs we see is an accurate representation of the number of itemized paragraphs in the original.
All the same, my overall suspicion is that if we were to look for candidates for the original source of this recipe block, we should perhaps look for a source compiled prior to 1450 containing between 300 and 400 itemised recipes. As usual, I’d prioritize European sources over others, and I’d prioritize candidates whose writer obviously believed them to be secret; but everyone sees this differently, so make of those particular preferences what you will.
All in all, I currently only have a single serious candidate for that original block, one that I stumbled upon only recently: and because it’s Christmas time, I thought I’d throw it out to you lovely people, see what you think. 🙂
It’s MS. 6741 of the National Library of Paris, containing a sizeable (359 numbered items of varying size, plus various rhymes) set of recipes compiled from various sources by Jean le Bègue / Jehan le Bègue [1368-1457], as admirably transcribed by Mary Philadelphia Merrifield (and translated by her two sons) in 1849 in her book Original Treatises, Dating from the XIIth to the XVIIIth Centuries, on the Arts of Painting.
If you’re interested, there’s some modern discussion on Merrifield’s work here: but both her and Jean le Bègue aren’t really discussed anywhere much these days, which I think is a shame because there’s lots of lovely stuff in there.
PS: this post may be the first time someone has proposed a possible link between MS 6741 and the Voynich Manuscript’s Q20, but please correct me if I’m wrong. 🙂
The book begins (p.47):
EXPERIMENTA DE COLORIBUS.
1. Nota quod auree littere scribuntur sic, cum ista aqua ; accipe sulphur vivum, et corticem interiorem mali granati, aluminis, saltis, et de pluvia auri, tantum quantum vis, et aquam gummi liquide, et modicum de croco, et misce, et scribe.
The book finishes (p.320):
DEO GRATIAS
Compositus est liber iste a magistro Johanne le Begue, Licentatio in Legibus, Greffario Generalium Magistrorum Monetae Regis Parisiis, anno Domini 1431, aetatis vero suae 63.
THANK GOD
This Book is composed by Master Jehan Le Begue, a Licentiate in the Law, Notary-General of the Masters of the King’s Mint, at Paris, Anno Domini 1431, when he was 63 years of age.