I’ve just bee(n) reading Gene Kritsky’s “The Quest for the Perfect Hive”, which, though it covers many different sides of apiculture, ultimately focuses on the evolution of hive technology. This, of course, brought me back to thinking about the Voynich Manuscript’s ‘Bee Secrets’ page that I discussed briefly in The Curse of the Voynich.
Back then, I’d wondered whether the page (one of the panels on the reverse side of the nine-rosette page) might have been an enciphered version of Filarete’s book of secrets relating to bees (along with water, machines, agriculture, etc). And so I had discussed the drawings on this page with the tippitty top bee expert Dr Eva Crane (who I’m sad to say died in 2007): she pointed out that the hives apparently depicted there were conical skeps. This is a type of hive thought to have originated in Germany and which beekeepers south of the Alps almost never used (they instead used horizontal log hives).
The Four Skeps
In the top left ‘skep’, the beekeeper might possibly be smoking the bees out of a hole in the top:
In the top right ‘skep’, we see a stylised bird (not sure what this represents) and bees going in or out of the bottom (this is one of those Voynich drawings where we seem to have an original layer and an obscuring layer on top, others like this are in Q13):
The bottom left skep is oddly stylised and apparently multi-stage, and it’s not clear what the beekeeper is doing (perhaps smoking the bees out?). The dots in the body, however, appear to be where the honey / honeycomb would be, so perhaps some kind of honey extraction mechanism is what is intended here:
Finally, the bottom right skep has the mysterious bird again, and again the inner (dotted) honeycomb seems to be exposed:
What Does It All Mean?
Oddly, Dr Crane’s observation hints that this single page might offer us a microcosm of the secret history of the Voynich Manuscript: a German bee-keeping technique, perhaps with a mechanical innovation added by the author, all concealed in plain sight, and being re-presented for an Italian audience. And this doesn’t necessarily have to have anything to do with Filarete (whose personal motto was the industrious bee) for it to be true.
What I learned from Gene Kritsky’s book (pp. 160 ff.) was that accounts of bee-keeping often included “bee calendars”, that told bee-keepers what to do in different months, zodiacal signs, or seasons. And I’m now wondering whether that accounts for the way the writing on this page appears in four directions, i.e. the four seasons of bee-keeping:
In terms of a block paradigm match, therefore, I currently believe the source material for this page will turn out to be an early (1380-1450) account of conical skeps written in Italian (or possibly Latin), derived from Northern European sources (probably German, possibly Swiss), and with four paragraphs corresponding to the four seasons of bee-keeping.